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From our UK edition
This morning’s Guardian hailed the fresh brilliance of the new Unilever Turbine Hall project at Tate Modern by Doris Salcedo. It shows “a laudable unwillingness to compromise, wanting to make a work about absolute indifference, and to address desolation and destitution…Shibboleth begins with a hairline crack in the concrete floor by the entrance. As insignificant