Philip Terzian

The old man and the documentary

If I had been told that Ken Burns’s next PBS extravaganza would be a documentary film about a 20th-century American novelist and, even more improbably, had been asked to guess his (or more likely her) identity, my last choice might well have been Ernest Hemingway. This is partly because there seem to be so many more eligible Burns subjects (Richard Wright, Willa Cather, F. Scott Fitzgerald, Toni Morrison) but largely because Hemingway, man and novelist, seems especially uncongenial to the Burns sensibility: his fiction doesn’t tell us very much about America; he remains in bad odor in women’s studies departments; his Great White Hunter persona must surely spell a painful three episodes for ‘viewers like you’. First, the bad news.

hemingway

Count my blessings

I have to laugh when I read about my Baby Boom cohort’s memories of savoring rock ’n’ roll behind the backs of disapproving elders. I had no such problem. I wasn’t especially taken with the new sounds of the Fifties: I was six years old when Elvis Presley debuted on the Ed Sullivan Show. I thought he was vaguely comical. In any case, my parents had resolutely high-minded middlebrow taste in such things, wavering somewhere between Dvorak, Lawrence Welk and Mozart. Rock ’n’ roll was simply out of the question. Everything else heard in the household — country and folk music, in particular, which my elder siblings’ favored — was tolerated to some degree, but my own secret musical vice was not.

count basie