Peter Howarth

High art

A pair crosses in front of the backdrop of the famous Teatro Antico, the Greek amphitheater in Sicily’s Taormina, to take their seats. This is David Glickman, the American CEO of private investment firm Glickman Capital and his daughter Riley, an archaeologist. Both are wearing decidedly Italian looks – he in a black blazer over a burgundy sports shirt and she in a red silk shirt over a colorful printed skirt featuring motifs inspired by Sicilian folk art. [Alex Dobé] Glickman, a New Yorker who counts Italian cashmere house Malo and Leeds United among his investments, says, “I buy a lot of their furniture, so I guess that’s why I’m on their radar.

An Italian design classic and pop-cultural icon since 1946, Vespa remains an archetype of easy freedom and continental cool

It was 80 years ago in Pontedera, Tuscany, that the Vespa was born. Imagined by Enrico Piaggio, who wanted to give post-war Italy a new means of accessible mass transport, and created by aircraft designer Corradino D’Ascanio, the Vespa (Italian for “wasp”), with its distinctive step-through shape that allowed everyone – including women in dresses and priests in robes – to ride easily, has come to symbolize Italian sprezzatura. D’Ascanio, apparently, was no fan of motorcycles, disliking their messy, oily chains, the difficulty of changing tires after punctures, and what he felt was their uncomfortable riding positions.

National Geographic’s new museum, supported by Rolex, is an immersive tribute to the history and pursuit of exploration

“To date, I’ve made 75 deep submersible dives, including 33 to the Titanic,” filmmaker James Cameron announced at the inauguration of the new National Geographic Museum of Exploration in Washington, DC earlier this year. Only feet away from the Hollywood director lay a scale replica of the prow of the ill-fated ship, one of the exhibits at the museum, authentically covered in what look like assorted organisms of the deep. “In 2001, I started work with a new sub that could go to the deepest place in the world’s ocean, and I worked with this polymath engineer in Australia [called] Ron Allum,” Cameron explained. “It took us seven years to build the Deepsea Challenger, and that expedition would not have been possible without Rolex acting on its own spirit of exploration.

Berluti’s shoes have been worn by icons from Cardin to Warhol. Now, it’s created a sneaker for the 21st century

The story goes that, in 1962, Andy Warhol went into the Berluti store in Paris asking for some shoes to be made for him. The place, a family-run business founded in 1895, was well-known for its elegant footwear, and the young Olga Berluti was given the task of dealing with this new customer. Warhol’s sketch of what he was looking for was a guide, and Olga made a pair of leather loafers. But when the artist came to collect them, she confessed that one had a scar on it where the hide had been marked, possibly by the cow catching on some barbed wire. According to the brand legend, Olga apparently said that the blemish was the result of a “subversive cow,” and Warhol stated: “From now on, I only want shoes made from the hides of subversive cows.

For its latest Masters of Art series, Montblanc channels the vibrant and expressive works of Henri Matisse

Think of Henri Matisse and what comes to mind? “The Snail”, a square of geometric brightly colored shapes made from cut-out paper. Or “Dance (I)”, a circle of pink figures on a blue and green background moving freely. Or how about “Interior with a Goldfish Bowl”, with its cool, dreamlike atmosphere. All speak of a love of form and vibrant color, and it is his use of color that is most noticeable in Montblanc’s new homage to Matisse. With its Masters of Art range, the maker of luxury writing instruments produces dedicated series of limited-edition pens that channel the spirit of great artists, interpreting their works through intricate and skillful craftsmanship. Now is the turn of Henri Matisse, giving us a collection based on five of his masterpieces.

Giorgio Armani: coming to America

After being put on the “worst dressed” list for the 1989 Oscars at which she won Best Actress for The Accused, Jodie Foster decided that she needed professional fashion help. Giorgio Armani answered the call. “For the next Oscars, I wore a beautiful and striking cream-colored tuxedo chosen for me by Mr. Armani, and guess what… I was on the ‘best dressed’ list!” recalled the actor. “From then, Armani has been my go-to designer, and he has done many of my costumes on screen as well. In 1991, I finally met him – I had the honor of having Mr. Armani personally fit me for the Oscars. We spoke in French, and it was like being directed by Visconti, or painted by Picasso – in other words, it was a moment with a master... a treasure in time.

This luxury Italian menswear house has a new not-so-fancy man

The decision by Italian clothing brand Corneliani to use American psychedelic folk musician and artist Devendra Banhart as its “face” for this season is a telling one. This firm from Mantua, which has been making sartorial Italian menswear for nearly a century now, made its name creating traditional style for professionals. But times change, and style with it. So, wisely, Corneliani has been developing modern menswear that uses its traditional tailoring and fabric knowledge but applies it to more casual designs. Style director Stefano Gaudioso Tramonte says, “Today’s Corneliani man is no less interested in quality, but the life he lives is less constrained by formal conventions. He still wants elegance, but not in an uptight way.

These Italian-American jackets’ signature hardware will have you hooked

Firefighters are universally loved, right? Of course they are – heroic lifesavers rushing into danger in those big red engines… what’s not to like? Back in the 1980s Andrea Della Valle, a young Italian, was certainly fascinated when he encountered a bunch of ex firefighters who were wearing the garments of their former trade. “I met these guys when I was living in New York and they were all in these amazing jackets,” remembers Della Valle. “They looked so cool, I thought this could really work back in Italy.” At the time, the Italian casual wardrobe was still pretty formal, he says. What if he could introduce something that was really different. A jacket with hook-and-eye fastenings, for example?