Peter Craven

The sweeping drama of Australia’s political history

From our UK edition

Tony Abbott’s history of Australia comes as a surprise. It has a spellbinding verve which will beguile friend and foe alike. We don’t expect such narrative command from a former prime minister of Australia. In office, Abbott was a believer in the ‘lean and lift’ principle of civic life, with a marked preference for the lifting side, which led to policies like work for the dole and budgets which were generally perceived as rough on the poor. His great ideological influence was the radical conservatism of Bob Santamaria and the formation of the Democratic Labor Party, the anti-communist ‘Groupers’ who caused the Split (in 1956) which stopped Labor from achieving government again until Gough Whitlam won the 1972 election.

Elizabeth Harrower – the greatest Australian writer you’ve never heard of

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Elizabeth Harrower (1928-2020) became an Australian literary classic before she had fully established herself as an Australian writer. She had a rough childhood in Newcastle, New South Wales, and once contemplated lying on the road in the dead of night waiting to be run over. She described herself as a ‘divorced child’, saw her father Frank very rarely, despite his best efforts, and felt an inexorable loneliness during her days in the industrial city by the sea. Later she found herself in Scotland and loved it; and for much of the 1950s she lived in London.

Diary – 17 June 2010

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Sydney was at the edge of winter, with that crisp thin sunlight that can make the harbour city idyllic, when my friend Colin Oehring and I were there for the first Bill Henson opening since the one Kevin Rudd found ‘disgusting’ and which was closed down by the police despite getting a G rating from Donald McDonald’s Commonwealth censors. It all went without horrific drama. Barry Humphries could be seen in the midst of a capacity crowd which had seemed at the outset to consist of Miranda Devine and a couple of teenage girls. I’m told Devine was apologetic about the bushfire cum auto-da-fé she inadvertently started back in 2008.

A stoical Nevin charts the evolution of grief

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It’s not hard to see why Robyn Nevin should have made such a beeline for Joan Didion’s The Year of Magical Thinking, or why the Melbourne Theatre Company should be hosting this production. This one-hander about the evolution of grief had been done with remarkable success in New York by Vanessa Redgrave, and it was clearly a star turn for an older actress. Joan Didion, that supremely imaginative chronicler of modern America, had seen her husband, the writer John Gregory Dunne, die before her eyes. But seeing was not, in the deeper sense of emotional credibility, believing.