Nicholas Farrell

Dante’s Beach, Ravenna I rang up my old best friend, Luke-John, for a chat a few days ago and to ask him about his mum, Rose Wylie. She is 91 and this week becomes the first ever female painter to be given a solo show at the Royal Academy. When I was in my late teens and early twenties, her house in the village of Newnham, near Faversham, became a safe haven for me, and I used to stay there a lot. Rose and her husband Roy, who was also an artist and died in 2014, were just so dead cool. Neither was well-known, and they had little money, but they were seriously intellectual, seriously stylish and seriously good-looking. He had been to Goldsmiths and then been a student of David Bomberg’s at the Borough Polytechnic, and was doing a PhD on him at the Royal College of Art.

Dante’s Beach, Ravenna We were en route to the junk shop in search of a pair of robust tongs for the fire in the kitchen, which is a vital source of heat in winter, and I was rowing with my family about the Jews. There were seven of us inside the Land Rover Defender: me at the wheel in notional control with my ‘Comandante’ Basque beret on my head to cover my bald patch. Next to me was my wife Carla, who has the best deck this side of Rimini, and five of our six children behind. The language being spoken was Italian as usual, but there were frequent shouted bursts of English from the back such as ‘Just shut the fuck up!’ or ‘Jesus fucking Christ!’, often involving several voices in unison like a chorus.

My teenage self was right. Brigitte Bardot, who died this weekend, symbolised sex and freedom. It’s why I had a poster of her on my study wall at school in which she was topless in a white cowboy hat and faded blue denims with the zip undone to reveal that she had no knickers. Needless to say it was not long before someone burnt a hole in her crotch with an aerosol can and lighter. But I still kept the poster up. Such was the impact of Bardot on teenage boys like me that at a certain point I hitch-hiked off to Saint-Tropez where she lived. Once there, I moved about barefoot in faded denims and Breton fisherman’s shirt, just like she used to do. Dreaming.

Dante’s Beach, Ravenna Maria, the boisterous new vizsla who gives the old one, Rocco, such a hard time, was in big trouble. She had killed one of our seven chickens, Gertrude, by biting her head off. Two of our six children – Caterina (22) and Rita (16) – wanted to dump Maria for good at the dog rescue centre immediately, or else take her back to the breeder we’d got her from in the hills. Giovanni Maria (14), who is able to identify each chicken and lets Giulia, his favourite, sit on his shoulder like a parrot, buried the dead Gertrude near where the tortoises used to live. He was gutted.

Dante’s Beach, Ravenna The unseasonably warm wind blowing in across the fields from the brooding Adriatic caused my wife Carla to announce ‘Tira aria da terremoto’ (‘earthquake air’). She feels our family lives on a knife edge, encircled by omens and demons. And who can blame her? Looked at one way, we have had it pretty tough of late. The other day the post person, who is a woman on a three-wheeled scooter and never brings good news, handed me with her grim habitual smirk a court order obtained by Ravenna city council. It requires us to demolish the front door of our house and a skylight on the sloping roof of the kitchen, plus the shutters on the first-floor windows.

Dante’s Beach, Ravenna I was in the Land Rover Defender with Rita, my youngest daughter (16), parked up near Dante’s tomb in the old city as we drank coffee from paper cups before she began her day at art school. On a wall in front of us that had possibly been there since the Romans, and definitely since the Renaissance, was scrawled in black spray paint: ‘Palestina libera dal fiume al mare!’ – Free Palestine from the river to the sea! I asked Rita what mark she’d got in her English literature oral test on Romeo and Juliet. I’d helped her prepare. I’d even found the correct Italian word for ‘apothecary’, as in ‘O true apothecary, Thy drugs are quick’. Every online source I had consulted had said, absurdly, that the correct word is ‘farmacista’.

Dante’s Beach, Ravenna ‘Welcome back, signore!’ said the woman in uniform at the all-seeing security doorway which passengers must walk through to be allowed on a plane, as if it were the Holy Door of St Peter. I was about to fly from Rimini on the Adriatic coast, not far south of my home, to Gatwick for a church service in remembrance of my father who had died two days short of his 100th birthday in July. I was with three of my six children and felt flattered, especially in front of them, to be remembered, proudly and deservedly famous at the Aeroporto Internazionale di Rimini e San Marino Federico Fellini. Two months earlier, I had flown alone from the same airport to be with my father as he died in his sleep.

Claudia Cardinale, who died this week aged 89, was one of few Italian actresses to achieve global stardom along with Gina Lollobrigida and Sophia Loren.  Whereas Lollobrigida and Loren embodied the beauty of Italy, Cardinale – I always feel – embodied the beauty of the Mediterranean. Her face and physique were the irresistible but perilous fruit of its people and cultures. The Italians call it: ‘Me-di-terr-aneo.’ Many years ago, when I was involved with a woman from the Italian deep south, someone told me: ‘If you want to marry such a woman, you must not travel by plane to seek the consent of her father, nor by train or car, you must go on foot, and with a stone in your shoe, because only then will you understand what you are letting yourself in for.

Those in charge of Sicily have at last swung into action after a quarter of a century of inactivity to cleanse the tiny volcanic island of Stromboli in the Ionian Sea of its plague of goats. There are well over 2,000 extremely agile, stubborn and aggressive, semi-wild goats on Stromboli (human population 500) whose active volcano is visible in the night sky from mainland Italy 30 miles away. The Stromboli goats devour anything that is green and has roots and clamber into trees and onto the flat roofs of the houses to defecate and urinate. The islanders use their roofs to collect rainwater, their only source of fresh water. The goats even head butt their way inside houses and bars, and charge at people. It is a miracle that no one has been killed.

Dante’s Beach, Ravenna The Feast of the Assumption began for me just after midnight with a WhatsApp message from my eldest son, Francesco Winston, 20, which said: ‘Papà don’t come, the police are everywhere.’ He and my eldest daughter, Caterina, 21, had invited me to a party on the beach organised by their group of friends to mark Ferragosto, the most important day of summer. There would be a bonfire and sausages, booze and guitars, and all the rest of it, until the blood-red sun emerged out of the sea at about 6 a.m. to bring it to an end. The huge, shimmering sun rose up out of the sea, a wondrous way to end a party I cannot remember the last time I went to a party. I avoid small talk if possible and am currently not drinking.

Dante’s Beach, Ravenna All seven chickens we recently acquired are now laying eggs – except the one called Giovanna, which is walking with a limp thanks to our youngest child Giuseppe, who is ten. The other day, Giuseppe somehow shut Giovanna’s right foot in the back door as he shooed her out of the house. These chickens are proving portentous. I am convinced they are the catalyst, if not the reason, for why our middle daughter, Magdalena, 17, has just split up with her boyfriend Simone after three years together. Simone, a truly brilliant pianist, is terrified of chickens, a fairly common phobia apparently, though that is not why we got them.