Mishal Husain

Nearly a year after my final Radio 4 shift, my new interview podcast has launched, and the weeks are more varied than anything I’ve previously experienced. The main focus is of course the guest and the content of the next episode. But we’re often at different stages of two or even three interviews at the same time, and production questions take us in multiple directions. How recent is the headshot the illustrator is using for artwork? What’s the best headline for each version: audio, video, text, social? What about practical arrangements or special requests for the next recording?

I’ve worked for the BBC for years and have been listening to the Today programme all my adult life, but joining it as a presenter feels like exploring a new frontier. Being on top of your brief is one thing; the mechanics of a three-hour live radio programme quite another. Take the junctions leading up to the ‘pips’ at the start of each hour. From television, I’ve been accustomed to directors counting presenters down to these junctions while they ad-lib on air — the idea being to stop talking as the voice in your ear says ‘zero’. But radio presenters are pretty much on their own, watching the clock and navigating to a precise target of five seconds to the hour. To my presenter colleagues, all this comes naturally.