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In my mind, there was always a sense of hubris in the air of our tucked-away offices at the Chronicle, Eton’s main student magazine. As in many other domains of our school’s life, we idly assumed ours was the first, as well as the only really consequential, example of a public-school magazine. The early 2000s,
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Joad Raymond Wren’s ambitious history of early modern European news, capacious in structure, monumental in volume, is named for a witticism by John Earle (c.1601-65). The author of Microcosmography, a compilation of satirical ‘characters’ whose obvious modern heir is Victoria Mather’s ‘Social Stereotypes’, was arguably the funniest member of mid-17th century England’s most likeable clique,
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The novelist and essayist James Meek’s confident new medieval romance is conducted in brief passages separated out by three icons, a rose, a sickle and a quill, emblematic of the three estates of the realm. The nobility play at courtly love; the commons can only evade their bondage by war service; and the clergy are
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Seven years ago Stella Tillyard, a successful historian of the 18th century, broke into historical fiction with Tides of War. This historically faithful and scrupulously detailed Napoleonic saga was thought in some quarters to have met its period’s gold standard: Patrick O’Brian’s Jack Aubrey novels. It also received the accolade, now obligatory for success in
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In W.B. Yeats’s ‘Meditations in Time of Civil War’, a testing allusion emerges amid a scene of nightmare: Monstrous familiar images swim to the mind’s eye ‘Vengeance upon the murderers,’ the cry goes up ‘Vengeance for Jacques Molay.’ More about de Molay, last master of the Knights Templar, can be found in Dan Jones’s new
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The 12th-century crusader Reynald de Chatillon was one of the most controversial men of his time, and his new biographer Jeffrey Lee believes he has returned to disturbing relevance in ours. Over a relatively long life with a dramatically violent end, Reynald became Prince of Antioch by marriage, endured 16 years in a dungeon below
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Perhaps more than any other single historical event, the First Crusade (1096-99) lends itself to the narrative technique. This was the quest — and a successful one — on the part of Roman Catholic Europe to regain the Holy Lands taken during the Muslim conquests of the Levant four centuries earlier. Its rich cast of
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The name of Savonarola slides off the tongue as if concocted for an orator’s climax. But when it came to names, whether by melody or reputation, the Florence he knew offered aggressive competition. Pico della Mirandola, Lorenzo ‘il Magnifico’ de’ Medici, Botticelli, Michelangelo and Machiavelli all shared his era. In an unexpected and sympathetic conclusion
