Miles Kington

There is a drawing by Sempé of the Tour de France which is so brilliant that when Geoffrey Wheatcroft first saw it, he just knew he had to have it on the front of his history of the Tour de France. It is an aerial view of a gloomy, grimy French town round the streets of which a stream of dazzingly coloured bicyclists flow like a river of jewels meandering through a rubbish dump. It’s not funny; it’s not pointful; it’s just a lovely counterpoint between the glamour of the big occasion and the banality of the watchers’ lives, exquisitely composed and drawn. The odd thing is that Sempé could never have done that 40, even 20, years ago. He started life as a journeyman cartoonist, drawing single gags.