Lloyd Evans is The Spectator's sketch-writer and theatre critic
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Well Apollo Hit Me! The Life and Rhymes of Ian Dury Leicester Square In Blood: The Bacchae Arcola So what does the theatre critic make of the recession? No one’s asked me, actually, so here goes. Leaving aside the obsessive 24-hour media coverage, there’s little trace of it in the real world. Immunise your bonce
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The Cordelia Dream Wilton’s Music Hall Sunset Boulevard Comedy Marina Carr is a writer of enormous distinction which isn’t quite the same as being a writer of enormous talent. She’s been given chairs by so many universities that she could probably open a furniture shop. However, a certain snippet of advice — don’t invite comparisons
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Twelfth Night Wyndhams Loot Tricycle Another stunna from Michael Grandage. His production of Twelfth Night is an excellent and often beautiful frivolity and if you’re a fan of the play it’s a must-see event. I can’t stand the thing, I’m afraid, and even this fine production doesn’t mask the script’s shortcomings. The ploy involving Olivia’s
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Was that PMQs? It felt more like the monthly meeting of a particularly soporific knitting circle. The last fixture before Christmas is usually full of mayhem and mischief but Gordon Brown is abroad this week taking his smirk on a tour of the east, so the understudies replaced the regular opponents. In the past Harriet
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Mother Goose Hackney Empire Hamlet Novello God, I hate the panto season. Especially the reviews. You get some cynical, steely-hearted, acid-flinging critic who takes his two-year-old kid to a Christmas show for the first time and the old bruiser’s heart melts, his brain mushes up and his review reads like the last paragraph of a
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It was a tale of two howlers at today’s PMQs. The Prime Minister made the fatal mistake of pausing at the wrong moment. David Cameron had probed him about the recapitalised banks’ failure to lend to small businesses and Brown stood up, swelling confidently into one of his self-congratulatory orations. ‘Not only did we save
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In a Dark Dark House Almeida I Found My Horn Tristan Bates Maria Friedman: Re-Arranged Trafalgar Studios What, already? Another Neil LaBute play? Here we go again then. This time his close-knit group of eloquent and stylishly tormented yuppies (he doesn’t do other types) are haunted by the aftermath of a child abuse episode. As
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Lloyd Evans finds that Bernard-Henri Lévy is not the ageing French dandy of caricature but a serious intellectual with views on everything from Barack Obama to the Muslim veil Oh goody. He’s late. Every journalist wants the interviewee to miss the appointment, if possible by several hours. It gives us the advantage and obliges our
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The Family Reunion Donmar Chicken Hackney Empire August: Osage County Lyttelton T.S. Eliot was in his fifties when he turned to the theatre. What’s amazing about his 1939 play, The Family Reunion, is its experimental verve and nonchalant risk-loving energies. Harry, a country squire, returns from eight years abroad to take possession of his estate.
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Break out the bunting. Crack open the champagne. Spit-roast the capon and prepare to party. Or, come to think of it, don’t bother. Break out the bunting. Crack open the champagne. Spit-roast the capon and prepare to party. Or, come to think of it, don’t bother. The fourth centenary of John Milton, which falls on
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Duality, yin and yang, twin-tub theatre. Call it what you like, a Christmas show must straddle the generations and please both kids and adults at once. Casting Keith Allen as Long John Silver in Treasure Island was clearly intended to achieve this double-barrel effect. To kids he’s Lilly Allen’s dad while adults know him
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Gethsemane Cottesloe State of Emergency Gate There’s a massive hole in the middle of David Hare’s new play. It’s called Iraq. What an issue that was. What a best-seller. Talk about box-office. For two or three years it seemed that Hare had single-handedly won the Iraq war but his victory proved tenuous and short-lived. Once
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It was back to basics at Intelligence Squared last Tuesday as we debated the morality of prostitution. Newspaper executive Jeremy O’Grady proposed the motion by taking us on a graphic tour of Amsterdam’s red-light district which he’d visited ‘in an anthropological capacity’. The spectacle of hungry-eyed men sloping from door to door with their moist
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Yard Gal Oval House Lucky Seven Hampstead Last week I saw a little-known play, Yard Gal, which I’m pretty sure is a classic. Written ten years ago by Rebecca Prichard and revived with scintillating and furious energy by Stef O’Driscoll, the play follows the lives of two drug–whore teenagers, Boo and Marie, living in the
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To Be Straight With You Lyttelton American Briefs Above the Stag, 15 Bressenden Place, SW1 It’s been said that the Catholic Church has always known how to deal with extremists. It also knows — or used to know — how to deal with homosexuals. Monasteries populated by ‘celibate’ bachelors, nunneries teeming with wimpled lesbians, these
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Every new biographer of Shakespeare walks splat into the same old problem. What to say? Since he can’t tell us anything we don’t know, he must either tell us things we do know or things we don’t need to know. Jonathan Bate’s ingot-heavy volume announces, in its lackadaisical title, an intention to take all possible
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Blowing Whistles Leicester Square Theatre Faces in the Crowd Jerwood Theatre Upstairs, Royal Court Oh, what a gay play. The exhibitionist bravado of gay culture, its carnival antics and exuberant self-sufficiency convince us straight folk that we have nothing more to learn about this colourful subterranean neverland. Matthew Todd’s comedy is packed with welcome surprises.
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Motion: We were wrong to recognise Kosovo’s declaration of independence. Speakers For the motion Sir Ivor Roberts Misha Glenny Dragan Zupanjevac Against the motion Wolfgang Ischinger Paddy Ashdown Veton Surroi The voting tells the story. Before last Tuesday’s Kosovo debate most of the audience were unsure whether we were right to recognize Kosovo’s declaration of
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No Jews. No hint of Jewishness anywhere. That was Howard Jacobson’s instruction to himself when he sat down to write his new novel, The Act of Love. ‘I took the restriction very seriously,’ he told Peter Florence in a discussion for Intelligence Squared on 22nd October. ‘I nearly set about writing the book without using
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Oedipus Olivier La Clique Hippodrome Here it is. The National’s autumn blockbuster, Oedipus. Of all the plays of classical antiquity this is the best, the most accessible, the least tedious, and Jonathan Kent’s impressive production allows the beautiful and awful symmetry of the storyline to work its magic. Yet Kent and his designer Paul Brown