Lloyd Evans is The Spectator's sketch-writer and theatre critic
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The face is unlined. The tan is as deep as Brazilian hardwood. The thatch of grey hair looks like a gift from God rather than the achievement of surgical intervention. At 63, the actor Henry Goodman keeps himself in excellent trim. He exudes energy and concentration, and in the hour we spend together, he relates
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Irish playwright Brian Friel has built a formidable reputation out of very slender materials. A couple of international hits and a handful of Chekhov translations have won him a mountain of trophies. He’s still best known for his 1990 turbo-weepy Dancing at Lughnasa, which featured five mad Irish birds stuck in the bog with no
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Politics is everywhere in Edinburgh. It’s embedded in the architecture of the streets. The New Town, built in the latter half of the 18th century, is a granite endorsement of the Act of Union, a stone pledge of loyalty to Britain’s new Germanic monarchy in London. The layout forms an oblong grid. The horizontals of
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High summer and it’s blockbuster time. The Donmar’s latest show is by the acclaimed Nick Payne, whose play about string theory, Constellations, wowed the West End last year. Constellations niftily incorporated its subject matter into its formal structure. What does that mean? It means the storylines multiplied like an exploding atom until an infinite number
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Strict bylaws in Edinburgh prevent you from buying off-licence booze after ten at night. You can, however, buy all the sauce you want from ten in the morning. (This may explain why alcoholism is so rare up here.) When midnight tolls, Festival revellers pour forth and fill the air with chanting and singing of variable
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Hats off for theatrical recklessness. The producer Danielle Tarento has taken a $10-million Broadway mega-musical and staged it in the 240-seat Southwark Playhouse. Titanic, by Peter Stone and Maury Yeston, opened in 1997 to howls of critical derision that it merrily ignored. The run lasted for two years. The writers take a comprehensive approach. All
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This is brilliant. The new play by Oliver Cotton, a 69-year-old actor, is set in New York in 1986. An ageing couple, Joe and Ellie, are practising their ballroom dancing when Joe’s maverick brother Billy comes crashing through the front door. The cops are after him. He was holed up in a Florida hotel when
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At last. They’ve done it. The government has unified every snippet of data about itself on a single website. GOV.UK is bland-looking and easy to navigate. The home page tells surfers how Britain is administered. ‘The prime minister runs the government with the support of the cabinet.’ Which is true, I suppose, on a good day.
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West End producers are itching to get their hands on the new show at the Bush. Mama Mia’s director, Phyllida Lloyd, takes charge of a script written by the Torchwood actress Cush Jumbo about the world’s first black female celebrity. Josephine Baker was born to wow the crowds. A child cabaret artiste from St Louis,
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David Haig is one of those actors who can’t escape the visual identity of his characters. He’s the sad suburban salaryman. He’s the pasty-faced petty bureaucrat. He’s the bungling office curmudgeon with a volcanic temper. He just looks that way. Except that he doesn’t. I barely recognise the suntanned Bohemian figure who strolls up and
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The Ladykillers is back. Sean Foley’s adaptation of the classic Ealing comedy introduces us to a crew of villains who stage a train heist while lodging in the house of a sweet old lady. She discovers their crime and when they try to bump her off she proves indestructible. The 1955 movie makes a huge
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Cigs and booze. These issues dominated PMQs today. Ed Miliband tried to portray the PM as a puppet of ‘Big Tobacco’ whose decision not to introduce plain packaging for cigarettes was influenced by his electoral guru, Lynton Crosby. Had the PM ever ‘had a conversation’ with Crosby about fag packets? Shifty Cameron dodged sideways and
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It’s always a problem with Macbeth: what accents to use? The Globe is applying the traditional remedy. Lord and Lady Macbeth come from Epsom. Everyone else comes from Glasgow. This is a highly entertaining production — one of the best at the Globe in recent years — but it’s not entirely perfect. Joseph Millson has
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Gosh. I wouldn’t mind being Peter Nichols. Eighty-six this month and still enjoying the easy domesticity and professional stimulation he’s benefited from since the 1960s when he was propelled to stardom by his play about raising a disabled daughter, A Day in the Death of Joe Egg. He lives in a penthouse flat in north
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Andy Murray’s joy is now complete. Yes, he won Wimbledon and all that, but his crowning glory came today when he was mentioned at the start of PMQs. Cameron apparently has no idea how goofy and devious he looked last Sunday when he half-opened the door of Downing Street and stepped out to greet Murray
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Dominic Cooke did it at the Royal Court. Now Ed Hall is having crack as well. Cooke’s crazy decision to place his theatre at the disposal of young scribblers prompted the emergence of several brilliant new female playwrights, some barely out of their teens. Ed Hall, following suit, has brought a play by newcomer Melanie
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Today Ed Miliband headed for the favourite destination of faltering leaders: abroad. Any crisis-stricken banana republic will do. At PMQs the Labour leader decided that Egypt would fit the bill. Knitting his brows into a gap-year frown of munificent superiority, Miliband asked the PM to tell us how Britain is encouraging President Morsi ‘to secure
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We meet in the late afternoon at a jazzy little bistro near the Old Vic. I hadn’t quite prepared myself for the sheer visual impact of Anna Chancellor. Imposingly tall and wearing a simple glamorous frock, she rises to greet me. The dispositions of her face — the dimpled chin, the high cheekbones and the
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Off to Wonka. With no preconceptions either. I’ve never seen this story on stage, page or screen and it strikes me as a dysfunctional hybrid of Oz and Twist. The show kicks off with a cartoon history of chocolate which — whoopsidaisy! — omits to mention sugar as an ingredient. We meet Charlie Bucket, an
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listen to ‘Spending review 2013: the Coffee House analysis’ on Audioboo Shock news at PMQs. Miliband scored a hit. He succeeded in making Cameron look silly. True, he enjoyed his triumph a little too much, but his performance will have cheered his party enormously. For weeks they’ve had to watch their leader bungling at the
