Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

The jackboot zealotry of ushers is ruining theatre

From our UK edition

Southwark Playhouse has revived an American show, The Last Five Years, whose run was cancelled in March. In advance, I received an email outlining the theatre’s new rules, which appeared to exceed the minimum legal requirements. At the venue, I found that the main entrance had become the exit while the side door had become the main entrance. What for? Perhaps an unsubtle reminder that ‘everything’s changed now, pal, so get used to it’. The queue on the pavement moved at a turtle’s pace because the usher gave each playgoer a homily about the new regime before allowing them to pass through Checkpoint Charlie. Inside it was like an army hospital. Sentries in the corridors regulated our access to the loos.

PMQs: Keir Starmer is too clever by half

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Sir Keir’s approach to PMQs is so brilliant it might be rather foolish. He shows up each Wednesday as if he were attending a particularly complicated fraud trial, full of unique and intriguing features, which will one day furnish material for a lecture at Inner Temple. It’s super-technical. It makes your brain itch. And anyone can see why the Labour leader enjoys this fact-based approach — his head actually looks like a filing cabinet. The last seven months have created a huge archive of evidence, statistics and scientific statements which Sir Keir seems to have learned by rote. Today he started with a history lesson. He took us back to early May when the Prime Minister said something. Then he skipped to mid-September when Sage said something else.

A night of angry pipsqueaks: Young Vic’s 50th birthday gala reviewed

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When Kwame Kwei-Armah took over the Young Vic a ‘Black Lives Matter’ sign was strapped to the front of the building. One of BLM’s aims is the overthrow of capitalism and it’s widely assumed in theatreland that Kwame, who is great fun to meet, has embraced this goal by adjusting the Young Vic’s pay structures so that he earns no more than the bar staff and the cleaners. Happily the pay cut seems not to have affected his mood, and last weekend he was fizzing with anticipation as he hosted the Young Vic’s 50th birthday gala. ‘We’re in the house. Make some noise,’ he cried. ‘Shake off the cobwebs!’ He introduced a medley of performances by ‘artists, thinkers, academics and musicians’.

PMQs: Starmer flaps as Boris adapts

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Well that was different. Boris arrived at PMQs as if he were modelling for one of his cartoons. The strands of his famous hairdo were standing up like the quills of a cornered hedgehog. Had he just placed his thumb in a power-socket to get an energy boost? Sir Keir was waiting for him, inscrutable, serpent-like, coiled for the kill. Right now the Labour leader has a host of juicy attack-lines to choose from. But Sir Keir loves a problem crammed with facts and figures and intricate chronologies. Today he and his super-wonks had found just the sort of issue they crave. The test-and-trace system managed to lose 16,000 positive results which meant that 48,000 people were unreachable for eight days. Sir Keir set this out with icy precision. ‘A very basic mistake,’ he scolded.

Enjoyable but hardly classic Alan Bennett: The Outside Dog & The Hand of God reviewed

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The season of Alan Bennett’s Talking Heads continues at the Bridge. In The Hand of God we meet Celia, a posh antiques dealer, who befriends old maids in the hope of acquiring their valuables cheaply. Like everyone in her trade she uses play-acting and mind games to give her the advantage while haggling. If her enemy falters, she pounces. A man visits her shop and becomes visibly excited by a framed drawing which Celia hoped to flog for £30. Spotting his eagerness, she trebles the price. He pays up and hurries out. Later she learns that the drawing was by an old master whose style she failed to recognise. Millions have slipped through her fingers. Kristin Scott Thomas is well cast as this suburban snake in the grass. All the visuals are beautifully judged.

Starmer was firing blanks at PMQs

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It was another ‘worst week ever’ for Boris. The highlight being his successful bid to make mincemeat of himself by garbling his own lockdown rules at a press conference. At PMQs, he presented an open target and the Labour leader struck early with a highly specific question: Why has Luton emerged from lockdown when other communities haven’t? ‘They’ve pulled together to depress the virus,’ said Boris, sounding tentatively jubilant. Everyone awaited the springing of the booby-trap. But it didn’t come. Luton was an irrelevance. It was a bait without a hook. Sir Keir was firing blanks.

Inside the anti-lockdown rally

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The anti-lockdown rally at Trafalgar Square was organised by Save Our Rights UK. This embryonic organisation is so new that its website only has a single page. And it seems inexperienced at staging large demos. The amplification on a windy day needed to be cranked up to the max but the sound was inaudible from many parts of the square. Dozens of protesters were parading hand-made placards – which is standard practice at a rally – but the slogans were unusually aphoristic and politically astute: ‘Quarantine is locking up the sick. Despotism is locking up the healthy.’ ‘Compliance with stupidity is consent to tyranny.’ ‘When dictatorship becomes law, resistance becomes duty.

Brilliantly performed twaddle: Old Vic’s Faith Healer reviewed

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The Old Vic refuses to reopen. Director Matthew Warchus says the social distancing rules make it impossible for him to reach the 70 per cent capacity he needs to break even. That was true in the old days when the Vic had to put on lavish fare and tempt audiences away from the opulent variety of the West End. But the competition has gone. Warchus is free to mount cheap, simple dramas which recoup their costs quickly. Curiously, this is what he’s doing with Brian Friel’s three-hander, Faith Healer, but the show is performed in an empty house and watched live by spectators via Zoom. The pandemic has made Warchus allergic to playgoers. What a shame. When Lilian Baylis ran the Vic during the Great War she kept it open even when Zeppelins were bombing London.

Starmer’s brain is Boris’s secret weapon at PMQs

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Martial law was declared yesterday. And today Boris was expected to arrive at PMQs dressed in jackboots, an olive tunic and wraparound shades, with a Glock 18 machine-pistol tucked into his holster. Instead he wore a plain business suit. Perhaps he wanted to give his people a friendlier impression of their overlord. He seemed unusually jovial and upbeat at the despatch box, despite all the barmy rumours swirling around the internet. He was as bouncy as a spaniel on a trampoline. And he was helped by his secret weapon, Sir Keir Starmer’s over-active legal brain. The Labour leader had spotted a discrepancy between two prime ministerial utterances.

Covid marshals are killing theatre: The Shrine & Bed Among the Lentils reviewed

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Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up illuminated boards. ‘PLEASE WEAR A FACE COVERING.’ Inside, the seating had been rearranged into clumps of twos and threes with the odd single perch sticking out like a toadstool. Nicholas Hytner offered us a pair of the best-loved scripts by his favourite living playwright, Alan Bennett. The afternoon was stuffy and I took sips from a bottle of water in accordance with signage which suggested that masks might be removed for the purposes of drinking. After each glug I diligently replaced my covering. Ten minutes into the show, I was visited by a Covid marshal who informed me that the position of my mouth-wear dissatisfied him.

PMQs exposed Angela Rayner’s two major faults

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Sir Keir Starmer did a Greta at PMQs today. Without their leader, Labour invited Angela Rayner to duff up Boris in public. On her feet she announced that this would be ‘the Battle of Britain’. And she believed that ‘the whole country’ would be watching.  It was more like a game of hop-scotch between two flirtatious teenagers. The air zinged with puppy-love. ‘I congratulate her on her elevation,’ said Boris, eyeing her up with a Trumpian twinkle. Rayner couldn’t stop smiling as she made a joke about Keir Starmer’s absence which she blamed on failures in the testing system. ‘I heard he’s had a negative test,’ said Boris chattily. ‘I don’t quite know why he's not here.

What I learnt as an Oxford vaccine guinea pig

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Was the Oxford vaccine trial paused? Mine wasn’t. I signed up for it last week, in the 55 to 69-year-old category, and I was told on Friday that I should continue posting my swabs and attending follow-up appointments.  My friends were keen to tell me I was ‘utterly mad’ to join a trial. But I believe in vaccines. So do most anti-vaxxers, incidentally. It would be a rare adult who hadn’t benefited from childhood inoculations against polio, diphtheria, tetanus and whooping cough. My parents, who were raised in the 1930s, didn’t just believe in vaccines they rejoiced in them. When they were little it was all too common for a family to lose a child en route to adulthood.

An investor should snap up this weepy musical: Sleepless reviewed

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It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin with low flint walls, a banked rampart and a single stone column. Historians estimate that the circular space, measuring about 40 yards in diameter, would have enabled 7,000 spectators to watch plays, gladiatorial contests and executions. That figure seems too high. A capacity of 1,500 might be nearer the mark. These days the venue hosts outdoor theatre. Playgoers who sit at the edge of the auditorium can reach out and touch the ancient flint walls and run their fingers across the grain of the Roman concrete. During the August cold snap I watched The Taming of the Shrew, by Folksy Theatre, under an ominous grey sky.

PMQs: Starmer’s slip-up lets Boris off the hook

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After last week’s shambles, Boris could barely have performed worse at PMQs today. Sir Keir Starmer began with a horror-story endured by two parents in London.  They needed an urgent Covid test for a feverish toddler but were told that nothing was available in the capital. Go to Romford, was the advice. Then they were directed to Hayward’s heath, (‘half-way to Brighton’ said Sir Keir), then to Telford, then to Inverness, then to Swansea. Finally, after searching all day, they found a precious test in the Lee Valley but it was also being offered to people in Manchester. ‘Who is responsible?’ said Sir Keir, doing his ‘rent-collector short of patience’ voice. Boris stood up.

Spectator Out Loud: Lloyd Evans, Lionel Shriver and Will Heaven

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24 min listen

On this week's podcast, Lloyd Evans argues that the state should stop subsidising the National Theatre and start funding bingo halls (00:41). Then Lionel Shriver explains the trouble of taking back control (08:15). And finally, Will Heaven explores the dissolution of the Downside monastery (16:48).

Defund theatres – and give the money to gardeners and bingo halls

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For nearly six months our subsidised playhouses, notably the National Theatre, have been dark. What have we missed? Not much. Some would say nothing at all. And this has come as a surprise to those of us who were led to believe that the subsidised theatre is critical to ‘the national conversation’. It turns out that the nation can happily debate political and social issues without the help of playwrights or actors. Perhaps it’s time to re-examine our state-funded theatres and the reasons we support them. The National Theatre was set up in 1963, soon after the establishment of the Royal Shakespeare Company in 1961, and both received funding from the Arts Council, which was founded in 1946.

Boris’s PMQs performance was the perfect birthday present for Keir Starmer

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It was woeful. It was ugly to behold. It was beyond gruesome. Even Boris’s most faithful supporters had to watch PMQs from behind the sofa. Sir Keir Starmer, who turns 58 today, got a fabulous birthday present – a stunningly inept performance from the Prime Minister. Sir Keir demanded a ‘straight answer to a straight question’: when did Boris know ‘there was a problem’ with the algorithm used to decide A-level grades? ‘May I congratulate him on his birthday,’ said Boris – making it clear he hadn’t the foggiest what to say. The Prime Minister then started firing off random phrases in the hope that a coherent sentence might accidentally take shape in mid-air.

‘It’s not a crime to understand science’: Behind the scenes at Extinction Rebellion

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There was plastic aplenty at today’s Extinction Rebellion rally in Parliament Square. Plastic shoes, plastic badges, plastic sunglasses, plastic phone covers. A woman offered me a sticker peeled from a strip. ‘Are they plastic?’ ‘I don’t know,’ she shrugged. ‘Someone gave them to me.’ XR is starting a week of demos and civil disobedience. I arrived just as a sit-down protest opposite Parliament was being cleared by police liaison officers. ‘If you occupy the road you’ll be arrested under Section 14 of the Public Order Act, 1986,’ they said politely. An XR steward went around quietly advising the tarmac-squatters: ‘Don’t acknowledge what they’ve said.

Why is Nish Kumar so angry?

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The rise of the political satirist Nish Kumar baffles many. If you Google ‘Nish Kumar quotes’ you find a list of the ten witticisms most widely shared by his fans. ‘My parents wanted me to be a lawyer.’ ‘I have a strange nose: it’s big and weird.’ ‘When I am on stage I am often thinking about what I will eat after the show.’ This doesn’t help solve the mystery. Kumar is best known for anchoring ‘The Mash Report’ which the BBC believes is a satire show but which neutral viewers regard as a weekly political seminar that teaches liberals to avoid thinking for themselves. Kumar’s latest venture, Hello America, is an attempt to position him as the heir to James Corden or John Oliver.