Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

PMQs gets worse every week

Gruesome rhetoric at PMQs. The horror began with Sir Keir Starmer revealing that he can tell the time. ‘It’s three minutes past twelve,’ he announced. Rowdy Tories immediately demanded to know how soon he’d alter that statement. Sir Keir postulated a medical emergency, a patient suffering from ‘chest pains and fearing a heart attack,’ hoping for an ambulance to arrive within 18 minutes. But when, he asked the Prime Minister, would the vehicle actually show up? Rishi waffled about investing extra cash in this, that and the other part of the NHS.  ‘He’s deflecting,’ said Sir Keir. ‘The clock started ticking straight away,’ meaning 12.03 with the paramedics due to show up at 12.20. ‘So I ask him again. When will that ambulance arrive?

Comes close to perfection: Watch on the Rhine, at the Donmar Warehouse, reviewed

Watch on the Rhine is the curiously misleading title chosen by Lillian Hellman for a wartime family drama that became a film starring Bette Davis. The location is not Europe but America and the show opens with Fanny Farrelly, a member of the New England gentry, arriving in her sumptuous drawing room for breakfast. The character of Fanny is an instant classic. A crashing snob, a bundle of nerves, a lethally bitchy matriarch, she dominates her household by cultivating favourites and crushing enemies with her venomous tongue. And yet her servants treat her with tolerance and affection. To them she seems a tricky but essentially decent oddball who needs careful handling. When they complain about her behaviour, she graciously accepts their chastisement and apologises for overstepping the mark.

Is Starmer about to finally goad Corbynistas into action?

New year, new Labour. Sir Keir deployed his latest strategy at PMQS, contrasting the Tory-run NHS with the glorious record of the Labour administration. When his party were in power, he argued, the NHS was such a triumph that hardly anyone used it. There was no need. Doctors’ appointments were available within days. Cancer referrals took no more than two weeks. Waiting lists were a fraction of their current levels, he went on, (although he quietly admitted that 2.3 million people were usually awaiting treatment when Labour ran the system). Again and again he cited his party’s golden age. Labour, Labour, Labour. Marvellous, outstanding, world class. Sir Keir’s lurch to the right is dangerous because it may goad the dormant Corbynistas into action.

Clever and witty state-of-the-nation play: Kerry Jackson, at the Dorfman Theatre, reviewed

The National’s new comedy by April De Angelis is a clever and amusing attempt to deliver that most elusive artefact, the state-of-the-nation play. It’s easy to pan this production because the plot lacks surprises and the script is overly indebted to Abigail’s Party. The two lead characters are formulaic creations who reflect political polarities: left vs right, Remain against Leave. Kerry Jackson is a stroppy Essex blonde who loves Thatcher, despises foreigners and supports Brexit. She takes a shine to an overeducated wine snob, Stephen, who rides a bike and lectures in philosophy. Kerry’s new bistro in Walthamstow needs customers and she begs Stephen to post a favourable review in the local free sheet. In return she agrees to hire his mopey daughter as a waitress.

Harry’s interview is an explosive, flame-throwing spectacle

Bombs away! Prince Harry’s mission to dump ordnance on his nearest and dearest continued last night in a riveting interview with Tom Bradby of ITV. Their explosive tete-a-tete began well for the royal escapologist who described the heart-breaking scene on 31 August, 1997, when Charles (whom he calls ‘Pa’) woke him at Balmoral. ‘Darling boy, mummy’s been in a car crash.’ Harry’s instinct was to rush to her bedside but Pa didn’t mention a hospital visit. And he kept calling him ‘darling boy’ which seemed unusual. Eventually the truth dawned and Harry immediately went into denial. He convinced himself that Diana had faked the accident to escape her hellish life.

Eccentric triviality aimed at 1970s feminists: Orlando, at the Garrick Theatre, reviewed

Orlando opens with a pack of Virginia Woolfs on stage. All wear the same costume of horn-rimmed spectacles, long tweed skirts and woolly cardigans, and they comply with current diversity targets. There’s a white Woolf, a black Woolf, a mixed-race Woolf, an East Asian Woolf, and a male Woolf with a deep voice who seems to have wandered in from Little Red Riding Hood. The pack of Woolfs chat away about how to tell the story of an English aristocrat, Orlando, who was a teenager in the 1590s. He enters the stage dressed like a girl. (Confusion over sexual identity is the show’s big idea.) After an opaque interview with Elizabeth I, Orlando moves to the Jacobean era, then to Charles II’s court, then to an embassy in Constantinople and so on.

From Attenborough to Harry and Meghan: my 2022 naughty list

Christmas bores ‘Did you know? Jesus was actually born in September.’ A festive lunch isn’t complete without this historical footnote being aired by the family nerd. Obviously Baby Jesus wasn’t born in December when it’s pretty nippy in the Holy Land and no sane person would set off by donkey to fill in a census form. But the month of September is pleasantly balmy, and everyone is free to travel because the harvest has been gathered. So, yes, Joseph and his pregnant wife ventured forth on the family donkey to stay in Bethlehem where a room had been booked at their favourite inn. But wait. A donkey? An inn? These were significant luxuries in Roman times. And the arrival of friends with costly gifts, including gold, suggests a certain affluence.

Is Starmer blaming Rishi Sunak’s wife for the nurses’ strike?

What’s causing the nurses’ strike? At PMQs we found out. First, came a tale of anguish. Sir Keir raised the distressing case of 11-year-old Alex who needs a gallbladder operation. Surgical dates have been cancelled. Vital weeks at school have been missed. ‘Alex’s mum is worried sick,’ said Sir Keir, his voice trembling with outrage. ‘She wants [the PM] to explain what he is going to do to resolve the nursing strike.’ Then he upped the stakes. ‘Alex’s mum is listening,’ he said. ‘She’s tuned in now.’ This sounded ominous. Was she being detained in a panelled office near parliament, surrounded by Labour strongmen cracking their knuckles?

Cruel but shamefully enjoyable: Vardy v Rooney – the Wagatha Christie Trial reviewed

The Wagatha Christie affair began in 2019 when Coleen Rooney accused Rebekah Vardy of selling stories from her private Instagram account to the Sun. Rebekah denied the charge and sued Coleen. The case reached the High Court last summer and has now arrived in the West End in a verbatim script by Liv Hennessy. The staging is brilliantly funny with the court presented as a football pitch where a set of TV pundits explain the legal niceties to us. Rebekah, the plaintiff (and husband of former England striker Jamie Vardy), is cross-examined by David Sherborne of 5RB chambers who acts for Coleen. Sherborne begins by attacking Rebekah’s claim that she never leaks personal information by reminding her of a tabloid story about her former lover, Peter Andre.

Starmer needs to work on his PMQs insults

A decent tussle today at PMQs. Sir Keir Starmer asked the Prime Minister why he’d ditched his pledge to build 300,000 new houses a year. Rishi Sunak, ever fleet of foot, replied with shameless effrontery. The PM claimed that dropping the target was a superb Tory achievement and that it aligned seamlessly with the government’s priorities: protecting the green-belt, heeding local communities, and handing power to people at the grassroots. He dared Sir Keir to stand against those noble aims. He added that the Labour leader had said on Monday: ‘Government should be giving people more power and control.’ And today is Wednesday; so why the change of heart, asked Sunak. ‘I know he flip-flops – but even for him it’s pretty quick.’ The Tories yelled out ‘more!

The acting rescues it: National Theatre’s Othello reviewed

Crude eccentricities damage the potential brilliance of Othello at the National. Some of the visual gestures seem to have been approved by crazies from the neo-fascist fringe. The Moor is first seen doing a work-out with a punch bag but he doesn’t strike the bag, he grabs a broom handle and uses it to perform some fancy martial arts moves. The action starts and Othello is accused of spiriting Desdemona away from her father’s house and seducing her by trickery or witchcraft. During these scenes he’s stalked by a mob of extremists who dangle nooses and threaten him with daggers. That’s just silly. Othello is the foremost warrior in Venice. Anyone who drew a knife on him would be dead within seconds.

Rishi gives more to everyone!

It was all about education at PMQs. Sir Keir Starmer mounted a targeted attack on Winchester College whose old boys include Rishi Sunak. The Labour leader had researched the institution that he claims to despise with the fascination of a stalker.  Winchester College has a rowing club, he gushed. It has an art collection too, he marvelled. It even has a rifle-range, he panted. And the fees, he salivated, the fees come to £40,000 per year. While evidently admiring the school, he also embraces a policy of scrapping it. Why? Personal anguish. By destroying Winchester he can deal with the deep and obsessive adoration that causes him so much torment. But he framed his private turmoil as a public good.

An unexpected heartbreaker: Elf the Musical, at the Dominion Theatre, reviewed

Elf opens with an unbelievable premise. Buddy was abandoned as a baby and adopted by Santa’s elves and he spent a happy childhood making Christmas gifts in their factory at the North Pole. The action begins when Buddy decides to track down his real father in New York, but when he arrives he finds a community sunk in greed and cynicism. He’s horrified to learn that everyone exploits Christmas for financial gain. His dad, Walter Hobbs, turns out to be a bullied publishing executive who has no time to spend with his wife and his lonely younger son. Buddy’s mission is to restore love to this broken family and to repair the fractured society of New York. Along the way, he starts a corny romance with a sexy blonde elf, Jovie, who works in Santa’s grotto at a department store.

The SNP’s howls of outrage at PMQs

Indyref dominated today’s PMQs. The Supreme Court has ruled out Nicola Sturgeon’s plan for a wildcat referendum, she must now proceed with Westminster’s blessing. Howls of outrage were heard from the SNP. Eight of its members stood up to complain that they felt trapped in the union against their will.  Rarely have the Scots Nats made such a splash at PMQs and their exposure today did them no favours. When a party surges in popularity, the quality of its MPs declines and it’s clear that many safe Scottish seats have fallen into the hands of incompetent duffers. Few SNP members in Westminster can craft a memorable phrase. Some struggle to ask a brief question without notes. Many are lifelong gym-dodgers. And their personal stylings are eccentric.

Wordy, overwritten flop – perfect for the BBC: Noor, at Southwark Playhouse, reviewed

A heroic Asian woman parachutes into occupied France to work for the resistance and help overthrow the Nazis. This sounds like a fictional yarn but the story of Noor Inayat Khan is true. Her family were well-educated Sufi Muslims, who counted Gandhi among their friends, and they raised Noor as a pacifist intellectual who spoke several languages. And that’s the first oddity of the show. We aren’t told what drives Noor to side with Britain in a war that violates her family principles. And because we don’t know why she’s fighting, we’re bound to lose interest in her progress. This wordy and overwritten flop is perfectly configured to become a ten-part BBC drama Other puzzles emerge. She’s engaged to be married but we learn nothing about her fiancé.

Jeremy Hunt is the heir to Gordon Brown

Jeremy Hunt – known to broadcasters by a slightly different surname) – delivered his Autumn Statement today. He did so on behalf of ‘the British,’ he said. All the way through his speech, it was British this, British that. He vowed to ‘respond to an international crisis with British values,’ whatever that means. He talked of ‘a recession made in Russia but a recovery made in Britain.’ And he claimed, rather eerily, that ‘to be British is to be compassionate,’ as if this were a heritable quality conferred by evolution on one race alone. It sounded like jingoism fuelled by globalist arrogance. On and on he flannelled. ‘British innovation…British resilience…turning Britain into the world’s next Silicon Valley.

PMQs: A marvellous day for the Anti-Bullying Alliance

Global Rishi was absent from PMQs today. He’s busy reclining in a supersonic airline seat, paid for by someone else, as he flies back from the G20 summit, preceded by a stint at Cop27. The aim of these endless conferences is to protect us all from the curse of low taxes, falling energy bills and national sovereignty. And the negotiations are said to be going well. As he jets needlessly around the world, campaigning to stop others from jetting needlessly around the world, Rishi is probably unaware of the petty squabbles that occupy MPs. Meanwhile, on planet earth, this is a Very Special Week in Parliament. It has its own designation and it highlights a glaring social injustice. However, which of us can actually name the important cause which is being promoted?

Rebecca Humphries is dynamite – pity about the play: Blackout Songs, at Hampstead Theatre, reviewed

Viewers watching a good romcom need to fall in love with three things. The boy, the girl and the affair itself. The new Hampstead melodrama, Blackout Songs, scores just one out of three. Rebecca Humphries is adorably chic and sexy as the Soho seductress who drifts from bar to bar, picking up men. Her toyboy is a disappointment, a teenage deadbeat who has none of her louche gusto. And his character is a puzzle when it ought to be crystal clear. At the start of the action he wears a neck-brace and speaks with a stammer. In the next scene, his neck has healed and his stammer has vanished as well. Is he two characters? Or is he a con man who assumes different personalities, and if so why? He dresses in a paint-spattered tracksuit but he claims to be a welder, a rock star and a fine artist.

Matt Hancock: Star of the ‘I’m a Celeb’ jungle

Has Matt Hancock gone mad? Maybe not. His appearance in ‘I’m A Celebrity – Get Me Out of Here’ is part of a career move that could work well. Converting notoriety into fame pays dividends. Look at Ed Balls and Michael Portillo. Political failures, but they discovered gold on TV. A lot of observers loathe Hancock precisely because his plan may prosper.  The balding Tarzan arrived in the jungle later than most of the celebs. And he was welcomed with a show of warmth and friendliness by his fellow castaways. Smiles and happy greetings all round. Someone called out ‘next slide please!’ and Hancock duly repeated his famous slogan. He knows the game.

Who will be next week’s ministerial exit?

For the past fortnight, it was Suella Braverman. Now it’s Sir Gavin Williamson. The media aims to destroy two careers a month, on average, and the present quest to topple Sir Gavin has already produced a result. He’s gone. But that’s not enough. It never is. The new clamour is for the nasty knight to be stripped of his title and reduced to plain old Mr Williamson. At PMQs, the resignation was problematic for Sir Keir because he had to argue over a dead parrot. He quoted Sir Gavin’s unhelpful suggestion to a colleague that he should ‘slit his own throat.’ It might have served Sir Keir better to conceal the phrase and to describe it as too shocking and violent to bear repetition. Once he’d quoted the words, his attack lost oomph.