Lloyd Evans is The Spectator's sketch-writer and theatre critic
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At PMQs we saw the next year of politics condensed into a few seconds. Sir Keir Starmer asked the PM why he declined to call an election. ‘My working assumption is that the election will be in the second half of the year,’ said Rishi. So there it is. A date in October rather than
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Citizens’ assemblies will transform Britain. That’s the promise made by activists from groups like Extinction Rebellion. Labour has also mooted introducing the assemblies if it wins power, even if it did later backtrack on the plans. In Waltham Forest, north-east London, the revolution has already begun: a citizens’ assembly is underway there that will determine
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Set in 1948, The Human Body is about four heroic women fighting to create the NHS despite opposition from right-wing extremists led by the ‘snob’ and ‘warmonger’ Winston Churchill. One of these heroic women is a Labour councillor, another is a physician on a bike, the third works at Westminster for a socialist MP and
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‘How are you going to pay me back?’ This is the eternal question of the hard-pressed dad as he hands £10 to a teenage son with an urgent appointment at the snooker club. ‘My Saturday job,’ says Isaac satirically. He hasn’t got a Saturday job and that’s my fault, apparently. His friends all have immensely
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The plot to shoot Diane Abbot dominated PMQs. The Tory donor, Frank Hester, reportedly said that the MP for Hackney North inspired violent thoughts in him, and made him want to ‘hate all black women.’ Sir Keir Starmer asked if Rishi Sunak was happy to be bankrolled by someone who harboured fantasies about gunshots and
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Podcast fever continues to dominate the political airwaves. The rewards for success are enormous and popular podcasters are able to fill concert halls around the county by delivering a couple of hours of chitchat to willing punters. Since the running costs are minimal, the profits are vast. This explains the gold-rush of media darlings and
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Double Feature is a new play by John Logan, whose credits include Skyfall. The subject is movie-making, and the action is set in 1964 in a Hollywood cottage where Alfred Hitchcock is preparing Tippi Hedren for a nude scene in Marnie. The great director, who made a star of the unknown Hedren by casting her
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Jeremy Hunt is the spotty, speccy geek who doesn’t wear specs and doesn’t have spots. But ‘geek’ is very much Hunt’s brand. He’s a gangly, uncool type who, for no reason whatever, is as tall as a basketball player. In his Budget he set out to promote Continuity Conservatism, and spoke as if this were
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Sarah Snook, who appeared in Succession, takes centre stage in Kip Williams’s adaptation of Oscar Wilde’s only novel. The best thing about The Picture of Dorian Gray is the narrative premise: a young aristocrat commissions a portrait of himself and the image grows old while he retains his youthful good looks. It’s a ghost story,
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Sir Keir Starmer’s advisers have very short memories. At PMQs, the Labour leader mocked Liz Truss for visiting America to ‘flog a new book in search of fame and wealth’. He jeered at her suggestion that ‘the deep state’ had sabotaged her career, and he put it to Rishi Sunak that the Tories have become
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Big budget, huge stage, massive temptation. The Lyttelton is a notorious elephant-trap for designers who feel obliged to fill every inch of space with effortful proof of their brilliance. Frankie Bradshaw, designer of Dear Octopus, avoids these snares and instead creates a modest playing area, smaller than the actual stage, which is bookended by a
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The big issue at PMQs today was the motion calling for an end to hostilities in Gaza. In itself this is extraordinary, bordering on the outright barmy. The British mandate in Palestine expired in 1948 but many MPs seem to imagine that this troubled corner of the Middle East is part of their constituencies. The
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Fifteen years after penning his mega-hit Jerusalem, Jez Butterworth has knocked out a new drama. The slightly baffling title, The Hills of California, refers to a hit by Johnny Mercer (the US songwriter not the MP for Plymouth) and it suggests American themes and locations. But the show is set in a knackered old Blackpool
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He strutted into the middle of the studio in dark slacks and a creaseless white shirt. Nippy, zestful, ready for anything. Rishi Sunak submitted to a public inquisition on GB News last night and he looked like the guy who warms up the crowd for a motivational speech by Tom Cruise. But Rishi was the
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26 min listen
This week: Svitlana Morenets takes us inside Ukraine’s new plan for mass conscription (01:01); Paul Mason says that Labour is right to ditch its £28 billion green pledge (10:49); Robbie Mallett tells us about life as a scientist working in Antarctica (15:48); and Lloyd Evans reads his Life column (21:24). Produced and presented by Oscar
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Till the Stars Come Down is a raucous, high-energy melodrama set at a wedding in Hull. The writer, Beth Steel, focuses on three female characters and virtually ignores the men in her story which is just as well because her male characters all talk and act like planks. Her women are full of courage, craziness
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The old man next door asked me to collect his parcel from the food bank. ‘Sure,’ I said. I joined a queue of 20 starvelings outside a chapel in the East End. Most were migrants carrying rucksacks or bags for life, and there were a few Cockney mums with fidgety nippers in tow. Everyone in
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‘Apologise!’ This was the bogus battle-cry that rang out repeatedly at today’s PMQs. Rishi Sunak was asked to genuflect to his enemies and show contrition for fictional sins. The trouble began when Sir Keir Starmer told us that the mother of Brianna Ghey, a transgender girl killed in February, was present in the public gallery.
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The row over Richard III rumbles on. Disability groups have objected to the Globe’s forthcoming production in which Michelle Terry will take the lead. The able-bodied Terry, who happens to be the Globe’s artistic director, has apologised ‘for the pain or harm that has been caused by the decision for me to play Richard III.’
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Plaza Suite is a sketch show by Neil Simon set in a luxury New York hotel in 1968. The play is rarely revived and it’s never been staged in the West End before. Simon’s idea (which Noël Coward accused him of stealing from his play Suite in Three Keys) is to place a trio of
