Justin Cartwright

Nicola Barker is both prodigiously talented and admirably fearless. I have loved her books. But for some time I had little or no idea what the point of the story of Sri Ramakrishna was. In fact he was one of the outstanding men of 19th-century India. Characteristically of Barker, the narrative of her latest book

This is a thriller, a novel of betrayal and separation, and a reverie on death and grieving. The only key fact I can provide without giving away the plot is that Caroline, the film-making wife of Michael, the novel’s main protagonist, is killed in the badlands of Pakistan by a drone controlled from a facility

Peter Stanford is a writer on religious and ethical matters. He was for four years editor of the Catholic Herald. Writing Judas: The Troubling History of the Renegade Apostle must have been a difficult task because there are no facts. Judas may quite possibly never have existed at all, and if he did, the Judas

Philip Marsden’s book is about place. He makes a distinction between place and space. In his mind ‘place’ is something resonant, evoking a connection with the land and its meaning. Marsden is obsessed with pre-history and the beliefs and practices of the earliest inhabitants of Cornwall. He cites with approval someone’s judgment that written history

James McBride’s The Good Lord Bird is set in the mid 19th century, and is based on the real life of John Brown, the one who lies a-mouldering in his grave. Recently it won a National Book Award in the USA. Brown, the Old Man, was a religious fanatic who believed that he had the

This is a companion to a collection published earlier this year of Nadine Gordimer’s non-fiction, called Telling Times. This is a companion to a collection published earlier this year of Nadine Gordimer’s non-fiction, called Telling Times. Short stories are, of all her endeavours, the most successful. Their heyday was in the Seventies, when they perfectly

Nadine Gordimer is now in her mid-eighties. For as long as I have been alive, she has been the towering figure of South African literature, a fact recognised in l991 by the Nobel committee. This is a collection of her non-fiction over 60 years, running to nearly 800 pages. There is a belief, prevalent in

This is a very short book with large type. DeLillo has said that he no longer feels a compulsion to write long, compendious books. In his later years Saul Bellow said something similar. DeLillo, of course, has written very long in the past, notably with the 850-page Underworld (1997), and his story has been America.