Juliet Nicolson

However many times one absorbs the brevity of the interlude between the first catastrophic worldwide conflict of the 20th century and the next, it was the not-knowingness of that timetable that allowed society to cope. In the 20 years between world wars that shattered several generations, Britain’s full emotional recovery was never really accomplished. But

Recollections of crimes, misdemeanours and shameful stories can pall, especially when viewed through the bleary-eyed lens of alcohol. But In the Blood, a memoir of devastating clarity – the result of an unprecedented collaboration between a mother and daughter whose alcoholic gene was ‘baked into them like a curse’ – provides a frightening insight into

The discovery of a cache of long-lost love letters might be an over-familiar inspiration for a memoir, risking a bit of a dusty lane indulgence – a charming, nostalgic featherbed flop into a past romance. But although the events described by this delightful nonagenarian first-time author took place three-quarters of a century ago, there is

The blue-skied, hibiscus-clad ‘postcard’ beauty of Montego Bay, where the seasons shift with the rhythm of the sea breeze, veils the terrifying reality of Safiya Sinclair’s life at home. Until the age of five, Safiya lived in a small Jamaican hamlet on the white sand close to the endless beaches that attract the tourists, many

On the opening page of The Farmer’s Wife, Helen Rebanks quotes George Eliot’s famous passage from Middlemarch. Dorothea adds to ‘the growing good of the world’ through her ‘unhistoric acts’ and by having ‘lived faithfully a hidden life’. With this enchanting, funny, fearless book, Rebanks brings her own ‘unhistoric’ life unequivocally out of hiding. The

Polly Toynbee’s fascinating, multi-generational memoir comes with a caveat to a Spectator reviewer. While her book is written with ‘self-conscious awareness’, Toynbee predicts, with a cautionary wag of the finger, that it will be reviewed in publications where ‘introspection is inconvenient’. Not a page goes by without a reference to the iniquities of class, accent,

Farming threaded its way through the fields, mud, hedgerows and lifeblood of the people who made up Sarah Langford’s childhood. But her grandfather, ‘an oak of a man’ with his high-waisted trousers and ‘smelling of butter, honey and dust’, occupies no romantic sepia image in her memory. A tenant farmer, proud to have provided for

Sins of My Father begins with an ending. Describing her 61-year-old parent’s final desperate flight from a life of vibrant glitter, creativity and affluence, Lily Dunn reveals the extent to which it was simultaneously riddled with devastating addiction. After alcoholism, drugs, money and sex played their destructive role, her father (who is never given a

What happens to a child raised without love? This is the agonising question that the American lawyer Justine Cowan braces herself to address in a memoir that seeks to explain her relationship with Eileen, her monster of a mother. As her parent’s gaunt figure lay in hospital, vanishing within the fog of a disease that

From Downing Street to Pennsylvania Avenue, history’s powerful inter-family influencers, whether spouses or children, have long operated behind weighty political front doors. With an unerring eye for the revealing detail, Catherine Grace Katz has uncovered a fascinating generational back-story to the Yalta summit of February 1945. The three varyingly spirited daughters of Churchill, Roosevelt and

One day a baby bird falls from its nest into an oily scrapyard in Bermondsey, south London and seems unlikely to survive. As the writer Charlie Gilmour and his set-designer fiancée Janina (Yana) find themselves scrutinised by the tiny creature’s ‘gemstone eyes’ they become caught up in an unexpected urge to save the fledgling’s life.

Once in a while, just at the right moment, a truly gorgeous real-life love story appears out of the blue, or in this case out of a chance purchase on eBay. Thanks to a serendipitous sequence of connections, including a perspicacious dealer and a fast-moving literary agent, the wonderful (and super-latively edited) seat-of-the-pants romance of

As travel writer, nature writer, memory retriever and, I would add, prose-poet of mesmerising lyricism, Horatio Clare is a celebrant and observer of what is lovely, less lovely and sometimes, thankfully, absurd in the world. But Clare has come to fear winter. Recently the season has sapped his emotional and creative energy, masking his joy

The arrival at a new foreign posting for a junior diplomat’s wife in the first half of the last century was no glamorous picnic, as she grappled with a ceremonial sword in a golf bag, three months supply of toothpaste, a crate of hot water bottles and enough safety pins for every emergency. Born in

The camouflage-painted, smoke-blackened entrance to London’s 1940s Broadcasting House, moated with sandbags and battered by bombs, provided its staff with a refuge from attack. Inside, a gender-segregating blanket divided the employees’ emergency dormitory in two. But such propriety masked the energy, idiosyncrasy and influence that ballooned within the Portland Place walls during the wartime years.

Fans of the novels and poems written by the sibling inhabitants of Haworth Parsonage always have a Top Brontë. Fame-seeking Charlotte and mysteriously reclusive Emily usually grab the limelight. My father reread Emily’s only novel every five years, annotating his student copy of Wuthering Heights and monitoring his opinions depending on how his own love