Jonathan Biss

Jonathan Biss is an American pianist and writer.

The reasons Beethoven is my man of the year

From our UK edition

I could have predicted that music would be the thing to sustain me in this strange, often traumatic year: it can be thrilling or consoling, aspirational or confessional, as the situation requires. It has so much to say about loneliness and, in spite or because of that, can make you feel much less lonely. And it is just the thing when you are one Zoom meeting or White House press briefing away from preheating the oven and crawling in. What I did not expect was that Beethoven would be the music that meant most to me in this time. Perhaps this was foolish: Beethoven has, after all, been my greatest obsession for much of my life. But his innate intensity, his permanently gritted teeth, would not seem to provide the needed antidote to all the tooth-gritting we’ve been doing in 2020.

Jonathan Biss: The sadness and euphoria of playing to an empty room

From our UK edition

My November was bookended by two characteristic displays of grace. I ushered it in by falling on all fours while out for a run, skinning both knees and demolishing my pride; masked and bleeding is not a good look, even (especially?) on Halloween. I bid the month farewell by leaving my house in a torrential rainstorm — having consulted the weather report — wearing socks and shoes with holes in them, and carrying no umbrella. It seems I’ve been distracted. In my… well, not defence, but perhaps something adjacent to it, it was a hell of a month. After a seeming eternity of nothing, everything happened in November.

This year, I’m performing all 32 of Beethoven’s sonatas. Here’s why

From our UK edition

For the past several decades, little in my life as a professional pianist has been as constant as my relationship with Beethoven. It has been intense, immersive, impassioned, hugely demanding and hugely enriching. In the current season, though, it has become something it never was before: exclusive. Let me explain. Like any serious piano student, I first began to work on one of Beethoven’s piano sonatas around the age of ten. From that point on, the work has never stopped. Beethoven’s music, in addition to its mastery, beauty and spirituality, has a force of personality perhaps unequalled by any other artist’s work in any medium or any era.