Jenny Colgan

Oh hell, the novel after the Big Book. It’s so, so difficult. David Nicholls took seven years to follow up One Day with Us. Alex Garland gave up after The Beach and went off to write films. Lawyers prevent me from speculating on precisely what it did to Allison Pearson. And Kiley Reid’s Big Book

Writers dealing with that knottiest of problems in fiction – to what extent can they describe cultures and societies not their own without appropriation, an insulting level of ignorance and/or launching a social media storm – are going about it in different ways. The latest novel by Sebastian Faulks is set in the future (where,

This is one of those books that may change you when you read it, so be warned –although Jenni Fagan herself warns you in the first lines: ‘Twenty years ago I began writing this memoir as a suicide note.’ Ootlin is about how the care system in Scotland failed the author in every conceivable way.

Romance, and romantic comedy, make up a third of all novels sold – by far the highest-earning genre of fiction. They outdo crime novels 2:1. They are very rarely reviewed, and are generally excluded from year-end round ups, awards, gongs and TV book shows. They do not have their own festivals or celebrations; romance writers

Some time ago I was a guest at a book festival in France where we were invited to dinner in the town hall with local dignitaries. I was asked if I liked asparagus. I do, I said, thinking of delicious green spears. Good, said the woman in charge, as it was the asparagus season. I

It sounds disingenuous, not to say dis-respectful, but as a writer of 40 books, give or take, I never read blurbs. I can’t bear to. I love stories and am terrified of them being spoiled. There is no obvious twist or murderer so clearly signposted that I will ever try to guess them as I

At last, and finally: literary sex is back. The Bad Sex Prize has a lot to answer for in British publishing, scaring writers off describing sex in case it gets read out in a sarcastic voice at the In and Out club. (The deathlessly repetitive efforts of E.L. James didn’t do much for British sex

In my second year at secondary school we were all deeply envious of a girl named Judi Taylor because, obviously, her name was only three letters away from John Taylor, the world’s most beautiful man, which meant she probably had the best chance of marrying him. I was thinking about this the other day just

If the last quarter of 2020 saw a glut of novels published, of which there were winners (Richard Osman) and losers (in a just world, Piranesi would still be at number one), January is a less frenzied time for new writers to launch. Even so, there are often hyped and hot new books — among

Unlike a lot of people in the media, I didn’t personally know Deborah Orr, but I know many who did, and the intensity of their love for her burned very bright after her death in October. They spoke of her wild beauty, her fierce passions and smoky laughter; what great company she was; how every

Being reflexively snotty about Dan Brown’s writing is like slagging off Donald Trump’s spelling: it just entrenches everyone’s position. In a world where a quarter of people read literally no books in any given year, can we give each other a break on this kind of thing? If you found Angels and Demons good fun,

All Involved, Ryan Gattis’s breakout novel about the LA riots of 1992, was an absolute blast. Ballsy, vivid and immersive, it took various voices from the gangs, from families left behind and the thin blue line, joining them in a rousing cacophony that made up a frightening mosaic of a hot, heady, violent time. In

2016 was probably the year even the most optimistic of us — those who can genuinely square the new populist politics with a bright future for truth-seekers, scientists and rational thinkers — gave up on the possibility of time travel. Surely, on every rally stage there should have been at least one white man from