Office romance: I’m loving The Bureau
When real members of the DGSE saw the first season, they gave it a standing ovation
James Delingpole reviews television for The Spectator.
When real members of the DGSE saw the first season, they gave it a standing ovation
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While the government’s U-turn on A-level and GCSE results has been widely welcomed, universities are still in a dire state – why? (00:55) Plus, has Boris Johnson got the right approach in his war on fat? (15:00) And finally, are illegal raves during the pandemic socially irresponsible, or just young people sticking it to The
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Every time I read that Britain’s anti-coronavirus measures are being jeopardised by a ‘small minority of senseless individuals’ holding illegal raves, my heart soars. Maybe there’s hope for the youth after all! I’d been beginning to wonder. In my experience, kids of about university age have been priggish and obedient about the government’s rules during
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‘By the way, my name is Max. I take care of them, which ain’t easy, because their hobby is murder.’ Back in the early 1980s, when everything was lovelier, we were all so innocent that our idea of a brilliant and original new detective formula went like this: they’re sleuths — but they’re also rich
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Soon, very soon now — even sooner than I imagined, if A Suitable Boy turns out to be as lacklustre as some critics are saying — the only things left worth watching on the BBC will be old repeats and foreign buy-ins like The Last Wave. A bit like The Returned (Les Revenants), The Last
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There’s a scene in the French espionage series The Bureau — about the DGSE, France’s equivalent of the CIA or MI6 —where one of the characters loses a limb while on active service. ‘Excellent,’ jokes the station boss on his return. ‘This will greatly improve our diversity quota for disabled employees.’ This is why I
He ought to be taking a stand on this issue
A brutal backstory for HBO’s decadent detective
Lisbon is the perfect weekend destination to do very little
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Jaws, Amazon (To rent or buy) Nothing says ‘Murica’ quite like insisting the beaches stay open – killer shark or no – because it’s the 4th July weekend. It’s why – during his brief libertarian phase – Boris Johnson once declared that Larry Vaughn, the Mayor of Amity, was the movie’s true hero. Apart from
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On this week’s episode, former police officer Kevin Hurley reads his piece on how top police officers get disillusioned in the job; Alicia Munckton talks about the private-state divide in education during this lockdown; and James Delingpole reviews Alan Bennett’s new Talking Heads, and explains why he’s not a fan.
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The big mistake people make with Alan Bennett is to conflate him with his fellow Yorkshireman David Hockney. But whereas Hockney’s art is generous, warm, bright, life-affirming, Bennett’s is crabbed, catty, dingy, insinuating. The fact that the BBC-led establishment keeps telling us he’s a National Treasure tells us more about the BBC-led establishment than it
Funny is money
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Avatar (2009) Can you a cancel a film that’s all but forgotten? I challenge you to name one character besides Sully (the protagonist, whom you’ve probably forgotten as well). Yet when the woke charge comes, it’ll take Avatar in its wake. After all, what is it but a colonial guilt fantasy with a white saviour
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Did Jeffrey Epstein kill himself or was he murdered — and frankly who cares? Actually, having watched the four-part Netflix series — Jeffrey Epstein: Filthy Rich — about his secretive, sordid life, I care very much. Sure, his squalid death in jail, apparently from suicide while awaiting trial for numerous sex crimes, was thoroughly deserved.
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If I could live my life over again my plan used to be that I’d make my fortune very early, spend my winters fox hunting through the season and my summers taking loads of ecstasy in Ibiza and having meaningless sex with beautiful strangers. But having seen the first two episodes of White Lines I’m
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Sweden is now properly celebrated as the Land that Called Coronavirus Correctly. But in the distant past, those with long memories may recall, it had a less flattering reputation as the Land Absolutely Ruddy Swarming With Jihadists. Caliphate — an eight part Swedish-made drama on Netflix — takes you back there in vivid and compelling
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When I lived briefly in Stamford Hill I was mesmerised by the huge fur hats (shtreimel) worn by the local Hasidic Jews, and the wigs worn by their wives, and the almost tubercular pallor of their children. I often wondered how such a remote, aloof and archaic sect could possibly relate to 21st-century London. The
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The perfect mini series is an elusive beast. In the pre-Sky and Netflix era, you’d get the DVD and it would last you a few weeks (back then, reading books was still a thing), lend it to friends, and fawn over it at dinner parties for the next few months. Yet back then we were
He is perhaps a little too fond of drugs and weaponry, but he has also overcome great personal misfortune