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It was comforting in the late 1960s to learn that the composed, sturdily elegant figure of Basil D’Oliveira was in the England cricket team. He was a man, we felt, who would see us through. This absorbing book, significant beyond the confines of cricket, is an account of the suffering and frustrations that beset his
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It’s hard to suppress a feeling of schadenfreude when reading accounts of the crusaders going to the Holy Land in support of Christianity and finding that the indigenous Christians were often the lowest of the low, whereas the infidel leaders, rich and educated, were much more like those whom the Western leaders instinctively admired and
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Stephen Potter, author, radio writer and producer (1900-69, floruit 1940s and 1950s), is an instantly recognisable name, as his son Julian ruefully remarks, ‘to those over 70’. He belonged to the particularly English genus of the highly professional amateur. Cantankerous J. B. Priestley — whom Potter revered and loved working with — had Potter’s number.
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The subtitle, ‘On Settling’, is apt; the book is about the author’s settling in (you could nearly say ‘into’) what he calls ‘the claylands’, near Malmesbury in Gloucester-shire, and about the ‘settled’ nature of that place, the threats it has survived, the way it has adapted and, by extension, the manner in which England and
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John Craxton (born 1922) is a painter who has spent much of his life in Greece. Growing up in an intensely musical family in Hampstead (his father was the first pianist to play Debussy in England, his sister was a celebrated oboist), he was aware from a very early age of the infinite and magical
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In AD 9 the Roman general Varus at the head of three legions was surprised by German forces in the Teutoburg forest, and utterly defeated. It was one of the greatest disasters ever suffered by a Roman army, even if not on a scale comparable to Cannae. This defeat marked the end of any serious
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This book is so important and good it deserves a more crowd-pulling title. Besides, is ‘Revival’ the right word? True, after a silence of 300 years some authors began to write from the Catholic point of view, but this has gathered no popular momentum. Also the word ‘Catholic’ in a title is likely to put
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The story of the emergence of the poet from the prose writer Edward Thomas — not his emergence as an acknowledged poet, that took another 30 years — is probably well known but is so astonishing it can bear a brief retelling. From his early twenties Thomas had been earning a living, supporting his family
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Something extraordinary and rare is happening in London: we have an incomparable El Greco exhibition in our midst. It doesn’t really matter that it’s being staged in the rebarbative dungeon-like rooms of the National Gallery’s Sainsbury wing basement, for even those inconsiderate walls are alive with the strange music of El Greco’s vision. For a
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When I first met Terry Smith ten years ago, in the library of Long Lartin top security prison in Worcestershire, he was part of a cockney criminal elite as exclusive and self-perpetuating as the Whig junta that once controlled England. Along the austere corridors in that microcosm of misanthropy and discontent, Smith and his ilk
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Whatever else may be said of Guy Vanderhaeghe, author of The English Boy, he does at least have one serious fan. The admirer in question is Annie Proulx, who appears on the front cover of this new novel extolling ‘a feast of a book’, and on the back suggesting that ‘here are brilliant writing, picaresque
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The Royal Academy’s retrospective exhibition The Art of Philip Guston: 1913–1980 (until 12 April) comprises some 80 paintings and drawings dating from 1930 to 1980, by one of America’s most original 20th-century painters. It’s not easy to look at, being in turn demanding, forbidding, horrific and beautiful, but it’s certainly real, and as an intensely
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Susanna Moore’s fifth novel opens on board the Jupiter in February 1836, with the ladies — make that a capital ‘L’ — Eleanor and Harriet, together with their brother Henry (the incoming governor-general), en route to India. Storms rattle the halyards, rats scrabble at the sodden travelling library and Eleanor, our raisonneur, is somewhat put
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In the 1960s a cosmopolitan collector friend of my father who had fallen on hard times took salaried employment with a Bond Street gallery. When asked how he was adapting to his new life, he replied serenely: ‘In the art world, there are the crooks and the supercrooks. I’m with the supercrooks.’ Today, he might
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Andrew Lambirth looks forward to this year’s exhibitions — from El Greco to Ken Kiff The chief thrill of this year’s gallery-going has to be the El Greco exhibition at the National Gallery (11 February to 23 May). It will be the first major showing of his work in this country, and for many the
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Twenty years ago Clive James’s poetry represented all that I most disliked about contemporary Englit. For a start it was practically ubiquitous. Barely had one laid down the Christmas number of the London Review of Books containing a lengthy Jamesian summary of the bygone year, it seemed, than one walked into a bookshop to find
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Dear Mary… Q. While at a party at which I knew only the host, I made the mistake of trying to enter a group by laughing at a joke that I had not heard. Although rather silly, this would have been fine had the man standing next to me not asked what the joke was,
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Pretty soon after beginning his two-week descent into the Dantean world of the modern deep-sea North Atlantic trawler, Redmond O’Hanlon, far too old to be anywhere near one of these boats, let alone in January, let alone with a Force 12 Category One hurricane in the offing, not to speak of the burden of being
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Behind the bar in my local pub, above the pork scratchings and jars of pickled mussels, is more preserved wildlife, a shelf of Victorian stuffed birds and rodents in glass boxes. No doubt the publican keeps these here to remind the punters of life’s fleeting nature and that they might as well get in another
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David Garrick (1717–79) was widely acknowledged to be the greatest actor of his age, and he was also a successful businessman, managing the Drury Lane Theatre for nearly 30 years. He was broadly interested in the arts, wrote his own plays, and had many friends, among whom were some of the finest painters of the