Pre-Raphaelite of the world
From our UK edition
Had there been a poll of the nation’s favourite painting 100 years ago, the front runner would almost certainly have been William Holman Hunt’s ‘The Light of the World’. Its representation of a crowned and bearded figure, knocking at a door that is obstructed by thorns and dead flowers, was a sermon in paint. Viewers were expected to piece together its symbolic references and arrive at the idea of a suppliant Christ, offering to redeem the world with the light of his salvation, even as he meekly awaits admittance by each individual. As well as being a work of faithful naturalism, painstakingly recorded during chilly moonlit nights in the Surrey countryside, it is an image profoundly in tune with the proselytising zeal of Victorian evangelism.