Hannah Tomes

Hannah Tomes

Hannah Tomes is US production editor at The Spectator.

The enduring appeal of Baileys

For many, the first Baileys of the year heralds the start of the festive season; to others, it’s a drink to be consumed only when the temperature drops into single digits. A bottle lasts up to 24 months — opened or unopened, refrigerated or not — and it is an essential component of any worthwhile drinks cabinet. A few weeks ago, Morrisons announced a Christmas deal: Baileys at £10 a litre. To a Baileys fanatic like me, it was quite the call to action. I looked up my closest store — a 38-minute walk away. This seemed a stroke of luck considering the scarcity of Morrisons in London; perhaps it was a sign. Arriving at the super-market, I made a beeline for the spirits section and bought two litres of Baileys. That should see me through the month.

How the literati discovered Magaluf

Sprawled out across the kerb, exhausted and inebriated as we split boxes of 20 McDonalds chicken nuggets with old friends and new drinking partners, our faces dancing with the coloured florescent lights of the strip and hair streaked with sickly-sweet flecks of alcohol. That’s how I remember my first time in Magaluf, celebrating my A-level results at 18. Almost a decade on, I found myself back there ­– except this time, I was chatting to Trainspotting author Irvine Welsh at a rooftop bar during a literary festival. So far, so highbrow. We were both in Mallorca for the inaugural Festival Literatura Expandida a Magaluf, which took over INNSiDE Calvià Beach by Meliá, an imposing but reasonably-priced hotel on the seafront, over the first weekend in October.

Katy Balls, Nicola Christie, Hannah Tomes

-1 min listen

On this week's episode, Katy Balls gives us her thoughts on the importance of Keir Starmer’s performance this weekend at the Labour Party Conference. (00:54) Then Nicola Christie raises the curtain on the exciting new wave of British musical theatre. (06:53)And finally, Hannah Tomes talks about why Facebook won’t let her post about the English waterway Cockshoot Dyke.

The joy of rude place names

Last week a gentle Norfolk waterway got into trouble with Facebook. The problem was its name — Cockshoot Dyke. Facebook’s relentless algorithms blocked posts that mentioned the dyke and issued notifications warning about ‘sexual content’ and ‘violence’. The name of this stretch of water isn’t, of course, actually rude at all. It relates to a fowl-hunting term for a broad glade through which woodcock might fly. The joy of supposedly ‘rude’ place names lies in their innocence. The village of Upperthong, near Huddersfield, is named after the Old English words uferra (upper) and thwang (a narrow strip of land), while Twatt in Orkney comes from the Old Norse þveit, meaning ‘small piece of land’.

The thrill of going clubbing again

Over the past 16 months, many things in our society have changed: we stayed at home, we baked, we zoomed, we tutted at people enjoying green spaces, we seamlessly slid ‘lockdown’, ‘pandemic’ and ‘social distancing’ into our vocabularies. But one thing that has stayed absolutely, stubbornly, admirably the same is the British public’s dedication to a Big Night Out. Forget Shakespeare, Constable, the Beatles, our true culture is best embodied by our seemingly primal urge to drink to excess, scream the lyrics to cheesy 80s music and generally make a tit of ourselves on the dancefloor. So, doing my patriotic duty, I found myself queueing to get into a bar at 12.