Why does everybody now have a playbook?
Playbooks are proliferating like cookbooks. In the past fortnight or so I’ve come across: the counter-hybrid playbook, the wartime playbook, the Coldplay playbook, the preppy-meets-sporty playbook, Hitler’s playbook, the Ben Stokes playbook and the nepo-baby playbook. I used to think that the rather thumbed metaphor of playbook referred to a book of words containing the script or libretto. After all, book of words or book of the words has often been used figuratively to mean ‘the rules’. In Money in the Bank (1942), P.G. Wodehouse has Dolly Molloy exclaim: ‘There’s nothing in the book of the words to prevent Mrs Cork having the bozo pinched and stowed away in the cooler.’ In the medieval theatre the literal playbook was looked after by the garnement man, the props man.