David Sinclair

Let’s hear it for the Girls

From our UK edition

If you’ve paid even passing attention to early reports of the Spice Girls comeback tour, you will be aware of problems with the sound, the car parking, the lax and/or overbearing security checks, the bad weather, bad tempers, bad karma, bad you name it… Some of it may even be true. But having observed the Spice Girls sashay through a maelstrom of fake news since long before the phrase was invented, I was not altogether surprised to discover that the show was far better performed and produced, and certainly a lot more fun, than the media mavens would have us believe. No one would describe the Ricoh Arena in Coventry as a place of visual or acoustic beauty.

In banning Uber, London is fighting the future

From our UK edition

For the last ten months I have been working as an Uber driver in London. It is an amazing company to work for. Totally flexible, constantly innovative, fair and prompt in its payments. I’ve driven old people, youngsters, businessmen, drunks, choirgirls, cancer patients, a woman about to give birth, athletes (fit and injured) and visitors from every corner of the globe all over our great capital without any problem. It is a fantastic social enabler for anyone on a budget in the metropolis. And I’ve found it to be a perfectly fair and reasonable provider of income for self-employed, self-motivated people, such as myself.

The Rolling Stones’s Saatchi show is clearly a money-spinner – what’s wrong with that?

From our UK edition

The most restless, resilient, rapacious rock & roll group in the world is on the move again. Less than two weeks after finishing a routinely Herculean tour of Latin America with an epochal show in Cuba, the Rolling Stones were back in their London hometown, disrupting traffic on the King's Road as Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood glad-handed a media scrum at a red carpet event to mark the opening of their latest project, Exhibitionism at the Saatchi Gallery. Towards the start of this 'immersive' odyssey, you find yourself in a room that looks like the set of a Harold Pinter play. Grease-plastered dishes are piled up in a blocked sink; overflowing ashtrays spill over the mantelpiece; a lingering smell of stale fish and chips permeates the air.