Cory Doctorow

To look upon a freshly painted wall is to behold a smooth surface; to look at it through a magnifier is to see a rough and irregular landscape — but turn the magnification up sufficiently and see it become regular again, a geometric matrix of atoms held in molecular bonds. Keep magnifying and you enter the unimaginably messy realm of the subatomic, a weird place of eldritch geometries and smeared-out, probabilistic motion. The world is smooth and rough, orderly and messy, all at once, depending on how closely you look.

Why would you send an anthropologist — as this book’s author, Gabriella Coleman, is — to study Anonymous, the indescribable hacktivist phenomenon whose operations (‘ops’) and giddy, menacing, profane video-manifestos have seized the media and the public consciousness from 2006 to the present day? Because Anonymous is, above all, an anthropological phenomenon. At first glance, you might think that the Anonymous story — the Guy Fawkes-mask-wearing, meme-spewing, terrifying, hilarious non-collective that hacked the church of scientology, the government of Tunisia, the Serious Organised Crime Agency, and the Pentagon (for starters) — is a story about computer security, or youthful alienation, or political activism.