From our UK edition
40 min listen
My guest in this week’s Book Club podcast is Colm Toibin. Best known as a novelist, Colm’s new book is his first collection of poetry, Vinegar Hill. He tells me about coming late to poetry, the freedoms and austerities it offers, and why writing isn’t fun.
From our UK edition
La Donna del Lago, based on a poem by Sir Walter Scott, is one of the nine serious, dramatic operas that Rossini wrote for Teatro San Carlo in Naples between 1815 and 1822. At the time the opera was produced he had at his disposal not only a great soprano, for whom he wrote with considerable flair, but two expert tenors and a contralto taking the part of the young male lover. In the first-ever production at the Met in New York that has just opened, the colours move from the sultry sky of Scotland in the first act to the starkness of a field after battle and then the sumptuous golds in King James V’s palace in the second act. Something like this happens too in the vocal writing, which ranges from the stunningly beautiful to tones that are darker and more restrained.
