Ben Lawrence

It is six years since Hanif Kureishi’s last novel Something to Tell You, a kaleidoscopic meditation on life and death seen through the eyes of a Freudian analyst striving to make sense of middle age. It was regarded as a return to the highs of The Buddha of Suburbia, Kureishi’s first and still best-loved novel, populated by irresistible characters who ploughed through life with a feckless sexual voracity. The Last Word displays a similar chutzpah, although things are hampered by an unlikely story which over-sexualises every character in the claustrophobic atmosphere of a shabby country house.