Austen Saunders

The Atlantic, the ocean that made the modern world

From our UK edition

Just as the classical world was built around the Mediterranean, the modern world was built around the Atlantic. The Romans called the Med ‘Mare Nostrum’ – Our Sea. The Atlantic, on the other hand, was a place of contest for centuries. European nations fought for supremacy and plunder upon it, traded for wealth across it, and scrambled for territory around it. According to John K. Thornton, author of A Cultural History of the Atlantic World 1250-1820, the creation of an ‘Atlantic World’ was driven by the hunger of European states for hard cash. Money was needed to support the fantastically expensive armies which, from the late Middle Ages onwards, European nations were obliged to maintain as they engaged in a prolonged arms race.

Do you wish you were far from the madding crowd?

From our UK edition

From ‘Elegy Written in a Country Churchyard’ 'The curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea, The ploughman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds; Save that from yonder ivy-mantled tower The moping owl does to the moon complain Of such as, wandering near her secret bower, Molest her ancient solitary reign. Beneath those rugged elms, that yew-tree's shade, Where heaves the turf in many a mouldering heap, Each in his narrow cell for ever laid, The rude forefathers of the hamlet sleep.

William Rowley and the death of Prince Henry – poetry

From our UK edition

‘To the Grave’ Unclasp thy womb, thou mortuary shrine, And take the worst part of the best we had. Thou hast no harbourage for things divine, That thou had'st any part was yet too bad. Graves, for the grave, are fit, unfit for thee Was our sweet branch of youthful royalty. Thou must restore each atom back again When that day comes that stands beyond all night. His fame (meanwhile) shall here on earth remain, Lo thus we have divided our delight: Heaven keeps his spirit stalled amongst the just, We keep his memory, and thou his dust. Prince Henry was the eldest son of James I and VI (that’s first of England, sixth of Scotland). In 1612 he died at the age of eighteen. An extraordinary period of spontaneous popular mourning followed.

The shock value of John Wilmot, earl of Rochester

From our UK edition

‘The Maidenhead’ Have you not in a chimney seen A sullen faggot wet and green, How coyly it receives the heat, And at both ends does fume and sweat? So fares it with the harmless maid When first upon her back she’s laid; But the well-experienced dame, Cracks and rejoices in the flame. Rochester is a favourite of A-level students because he writes about sex and uses rude words. That in itself would not make him an accomplished poet. Sex is not an obscure subject and there are lots of words which rhyme with ‘prick’. But there are good reasons to read Rochester. One is that he had a knack for creating effects which we have come to associate with literary authenticity and originality.

William Shakespeare and the pursuit of human happiness

From our UK edition

‘Under the greenwood tree’ from As You Like It AMIENS: Under the greenwood tree Who loves to lies with me, And turn his merry note Uno the sweet bird’s throat, Come hither, come hither, come hither. Here shall he see No enemy, But winter and rough weather. Who doth ambition shun, And loves to live i’th’ sun, Seeking the food he eats, And pleased with what he gets ALL: Come hither, come hither, come hither. Here shall he see No enemy, But winter and rough weather. In As You Like It, a French duke has been usurped by his brother. He lives now in exile with his followers in the Forest of Arden (or Ardennes). There, as rumour in the new duke’s court has it, ‘they live like the old Robin Hood of England ...

The poetic lies against Old Ironsides

From our UK edition

‘How the War Began’ by Thomas Jordan, 1663. 'I'll tell you how the war began: The holy ones assembled (For so they called their party then Whose consciences so trembled). They pulled the bishops from their seats, And set up every widgeon; The Scotch were sent for to do feats With oat-cakes and religion. They plucked communion-tables down, And broke our painted glasses; They threw our altars to the ground, And tumbled down the crosses; They set up Cromwell and his heir, The Lord and Lady Claypole; Because they hated Common Prayer, The organ and the maypole.' Three-hundred and fifty years ago, in September 1662, congregations in churches all over England were getting used to hearing services from the new Book of Common Prayer.

John Cleveland: discovering poetry

From our UK edition

'Epitaph on the Earl of Strafford' ‘Here lies wise and valiant dust, Huddled up 'twixt fit and just: STRAFFORD, who was hurried hence 'Twixt treason and convenience. He spent his time here in a mist; A Papist, yet a Calvinist. His prince's nearest joy, and grief; He had, yet wanted all relief. The prop and ruin of the state; The people's violent love, and hate: One in extremes loved and abhorred. Riddles lie here; or in a word, Here lies blood; and let it lie Speechless still, and never cry.’ If Nick Clegg lived in bloodier times he might have ended up like Strafford by now. Executed on the eve of the civil wars, Strafford had a talent for alienating people who thought he was their natural ally.

The delights of sin

From our UK edition

Epigram 7 from The letting of humours blood in the head-vaine ‘Speak gentlemen, what shall we do to day? Drink some brave health upon the Dutch carouse? Or shall we to the Globe and see a play? Or visit Shoreditch for a bawdy house? Let’s call for cards or dice, and have a game. To sit thus idle is both sin and shame.’ This speaks Sir Revel , furnished out with fashion, From dish-crowned hat unto the shoe's square toe, That haunts a whore-house but for recreation, Plays but at dice to cony catch or so, Drinks drunk in kindness, for good fellowship, Or to a play goes but some purse to nip. Like tabloid exposés of celebrity sexual shenanigans, satire can tread a fine line between condemnation and titillation. Good writing can exploit that confusion.

Discovering poetry: The world according to Ben Jonson

From our UK edition

from Timber 'There is a Necessity all men should love their country: He that professeth the contrary, may be delighted with his words, but his heart is there. Natures that are hardened to evil, you shall sooner break, then make straight; they are like poles that are crooked, and dry: there is no attempting them. We praise the things we hear, with much more willingness, then those we see: because we envy the present, and reverence the past; thinking ourselves instructed by the one, and overlaid by the other. Opinion is a light, vain, crude, and imperfect thing, settled in the imagination; but never arriving at the understanding, there to obtain the tincture of reason. We labour with it more than truth. There is much more holds us, then presseth us.

Discovering poetry: Charles Cotton’s rebellion

From our UK edition

Stanzas from ‘The Retirement’ Farewell thou busy world, and may We never meet again: Here I can eat, and sleep, and pray, And do more good in one short day, Than he who his whole age out-wears Upon thy most conspicuous theatres, Where nought but vice and vanity do reign. Good God! how sweet are all things here! How beautiful the fields appear! How cleanly do we feed and lie! Lord! what good hours do we keep! How quietly we sleep! What peace! what unanimity! How innocent from the lewd fashion, Is all our business, all our conversation! Oh my beloved rocks! that rise To awe the earth and brave the skies. From some aspiring mountain's crown How dearly do I love, Giddy with pleasure, to look down And from the vales to view the noble heights above! Lord!

Discovering poetry: Thomas Wyatt’s dangerous games

From our UK edition

‘They flee from me that sometime did me seek’ They flee from me that sometime did me seek With naked foot stalking in my chamber. I have seen them gentle tame and meek That now are wild, and do not remember That sometime they have put themselves in danger To take bread at my hand; and now they range Busily seeking with a continual change. Thanked be fortune, it hath been otherwise Twenty times better: but once in special In thin array after a pleasant guise When her loose gown from her shoulders did fall, And she me caught in her arms long and small; Therewithal sweetly did me kiss, And softly said ‘dear heart, how like you this?’ It was no dream: I lay broad waking.

Discovering poetry: James Thomson’s patriotic poetry

From our UK edition

‘Rule Britannia’ When Britain first, at Heaven’s command,     Arose from out the azure main, This was the charter of the land,     And guardian angels sung this strain:  ‘Rule, Britannia, rule the waves;  Britons never will be slaves.’ The nations, not so blest as thee     Must, in their turns, to tyrants fall; While thou shalt flourish great and free,     The dread and envy of them all.  ‘Rule’ etc. Still more majestic shalt thou rise,     More dreadful from each foreign stroke; As the loud blast that tears the skies     Serves but to root thy native oak.  ‘Rule’ etc.

Discovering poetry: Philip Sidney’s rising star

From our UK edition

Astrophil and Stella 1 Loving in truth, and fain my love in verse to show, That she, dear she, might take some pleasure of my pain: Pleasure might cause her read, reading might make her know, Knowledge might pity win, and pity grace obtain; I sought fit words to paint the blackest face of woe, Studying inventions fine her wits to entertain, Oft turning others’ leaves to see if thence would flow Some fresh and fruitful shower upon my sunburnt brain. But words came halting out, wanting inventions stay; Invention (Nature’s child) fled step-dame study’s blows: And others’ feet still seemed but strangers in my way.

Discovering poetry: Samuel Johnson’s advice to a posh boy

From our UK edition

‘A Short Song of Congratulation’  Long-expected one and twenty Ling'ring year, at last is flown, Pomp and Pleasure, Pride and Plenty Great Sir John, are all your own. Loosen'd from the Minor's tether, Free to mortgage or to sell, Wild as wind, and light as feather Bid the slaves of thrift farewel. Call the Bettys, Kates, and Jennys Ev'ry name that laughs at Care, Lavish of your Grandsire's guineas, Show the Spirit of an heir. All that prey on vice and folly Joy to see their quarry fly, Here the Gamester light and jolly There the Lender grave and sly.

Discovering poetry: Robert Herrick’s guide to girls

From our UK edition

‘Cherrie-Ripe’ Cherrie-ripe, Ripe, Ripe, I cry, Full and faire ones; come and buy: If so be, you ask me where They doe grow? I answer, There, Where my Julia’s lips doe smile; There’s the Land, or Cherry-Ile: Whose Plantations fully show All the yeere, where Cherries grow. This short poem’s interest comes from its rapid changes of tone and speaker. These add complexity, surprise, and irony to what would otherwise be a cliché (‘my girlfriend’s lips look like cherries’). The first four lines seem to belong to a busy street-scene. ‘Cherry-ripe’ was a call used by hawkers selling cherries in 17th century London. The first line tells us that the speaker of the poem is crying it.

Discovering Poetry: Thomas Hardy’s religion

From our UK edition

‘A Drizzling Easter Morning’ And he is risen? Well, be it so. . . .And still the pensive lands complain,And dead men wait as long ago,As if, much doubting, they would knowWhat they are ransomed from, beforeThey pass again their sheltering door. I stand amid them in the rain,While blusters vex the yew and vane;And on the road the weary wainPlods forward, laden heavily;And toilers with their aches are fainFor endless rest---though risen is he. Historically, most poems about Easter have been written by Christians. They are normally celebrations of faith. Thomas Hardy, however, was very self-consciously not a believer. But people’s need to understand the world in broadly religious terms is an enduring theme of his novels and poetry.

Discovering poetry: George Herbert and the meaning of Easter

From our UK edition

Easter - Rise heart: thy Lord is risen. Sing his praise     Without delayes, Who takes thee by the hand, that thou likewise     With him mayst rise: That, as his death calcined thee to dust, His life may make thee gold, and much more just. Awake, my lute, and struggle for thy part     With all thy art. The crosse taught all wood to resound his name,     Who bore the same. His stretched sinews taught all strings, what key Is best to celebrate this most high day.

Discovering poetry: Edmund Spenser’s ideal marriage

From our UK edition

From ‘Prothalamion’ There in a meadow by the river's side A flock of nymphs I chancéd to espy, All lovely daughters of the flood thereby, With goodly greenish locks all loose untied As each had been a bride; And each one had a little wicker basket Made of fine twigs, entrailéd curiously. In which they gather'd flowers to fill their flasket, And with fine fingers cropt full feateously The tender stalks on high. Of every sort which in that meadow grew They gather'd some; the violet, pallid blue, The little daisy that at evening closes, The virgin lily and the primrose true, With store of vermeil roses, To deck their bridegrooms' posies Against the bridal day, which was not long: Sweet Thames! run softly, till I end my song.

Discovering poetry: Dryden’s earthy translation of Lucretius

From our UK edition

If cat-eyed, then a Pallas is their love; If freckled, she's a party-coloured dove; If little, then she's life and soul all o'er; An Amazon, the large two-handed whore. She stammers; oh, what grace in lisping lies! If she says nothing, to be sure she's wise. If shrill, and with a voice to drown a quire, Sharp-witted she must be, and full of fire; The lean, consumptive wench, with coughs decayed, Is called a pretty, tight, and slender maid; The o'ergrown, a goodly Ceres is exprest, A bed-fellow for Bacchus at the least; Flat-nose the name of Satyr never misses, And hanging blobber lips but pout for kisses.

Discovering poetry: Mankind in Alexander Pope

From our UK edition

from ‘Windsor Forest’ See! from the brake the whirring pheasant springs, And mounts exulting on triumphant wings: Short is his joy; he feels the fiery wound, Flutters in blood, and panting beats the ground. Ah! what avail his glossy, varying dyes, His purple crest, and scarlet-circled eyes, The vivid green his shining plumes unfold, His painted wings, and breast that flames with gold? [...] In genial spring, beneath the quiv'ring shade, Where cooling vapours breathe along the mead, The patient fisher takes his silent stand, Intent, his angle trembling in his hand; With looks unmov'd, he hopes the scaly breed, And eyes the dancing cork, and bending reed.