Antony Beevor

In our age of cosmetic fantasy, a dramatic love story between two bespectacled art historians sounds implausible. But add in the Montague-Capulet effect of the Iron Curtain, along with a fearless Russian heroine who proved that love can conquer every barrier, and you have an enchanting tale: a completely true one, beautifully written by the art historian and novelist Iain Pears, the author of An Instance of the Fingerpost among many other books. Pears, who had been a pupil of Francis Haskell, began to visit his former tutor’s widow Larissa Salmina on a regular basis after 2000. He soon realised from odd remarks just how extraordinary their lives had been. He pointed to a photograph of a boy in naval uniform. ‘Ah,’ Larissa replied, ‘that’s my cousin. He was eaten by a bear.

I had assumed, after 40 years of researching and writing about war in the 20th century, that I was prepared for just about any horror. But Christina Lamb’s research, into the mass rape of women and young girls in more recent wars and ethnic cleansing shook me to the core. This is the most powerful and disturbing book that I have ever read, and it raises important questions. Lamb takes us from one zone of racial and religious aggression to another. The attackers have different motives and each persecuted minority is culturally unique, yet the pain and suffering of their victims are terrifyingly similar.