Alexandra Shulman

Alexandra Shulman was editor-in-chief of British Vogue from 1992 to 2017.

The Alexandra Shulman Edition

From our UK edition

29 min listen

Alexandra Shulman is one of the most influential figures in British fashion. She is the longest serving editor-in-chief at British Vogue, having led the magazine for 25 years before stepping down in 2017. Her career in journalism included time at publications such as Tatler and the Sunday Telegraph. She was later editor of the British edition of GQ, before joining British Vogue where she oversaw an increase in circulation to record figures. Alexandra was appointed a CBE for services to fashion journalism, and is now an author, commentator and writes a weekly notebook for the Mail on Sunday.

Alexandra Shulman, Sean Thomas, Matthew Parris, Adrian Dannatt and Philip Hensher

From our UK edition

34 min listen

On this week’s Spectator Out Loud: Alexandra Shulman reads her fashion notebook (1:13); Sean Thomas asks if a demilitarised zone in Ukraine is inevitable (6:02); Matthew Parris argues against proportional representation (13:47); Adrian Dannatt explains his new exhibition Fresh Window: the art of display and display of art (21:46); and Philip Hensher declares he has met the man of his dreams: his Turkish barber (28:17).  Produced and presented by Patrick Gibbons.

How twee triumphed, Graham Brady on Tory turmoil & celebrating pigs in blankets

From our UK edition

37 min listen

This week: are we drowning in a sea of twee? Gareth Roberts writes the cover article this week, arguing against what he sees as the hideous triviality of our times. ‘The British have lost their aversion to glutinous sentimentality,’ he declares. How did we get here, and who are the worst offenders? Gareth argues that the triumph of twee has left us unable to face serious things with seriousness. Could there be sinister consequences if we don’t take this more seriously? Gareth joined the podcast to make his case, alongside Josh Cohen, psychoanalyst and author of All The Rage (00:49). Then: was Graham Brady the ‘kingmaker’ or the ‘kingslayer’ of the past Tory era? The shadow cabinet member and Conservative M.P.

Chanel should be led by a woman

From our UK edition

Since I’m considering giving a small Christmas drinks party, I’ve been reading all the festive entertainment features. There are recipes for canapés (does anyone actually make their own complicated snacks?), floral arrangements, garden illuminations and individual cocktails. These suggestions are exhausting enough to put one right off the whole idea. All the experts interviewed on their entertaining skills share an insouciance about hosting which unfortunately bears no resemblance to how I feel in the run-up. They don’t appear to fret about numbers, are able to whip up simple delicious food for a cast of thousands and always hear the doorbell ring. They never seem to stress about whether it’s necessary to have a coat rail and whether it is all too much of a crush.

Tennis is sexy again

From our UK edition

For 50 years, I’ve avoided wearing anything resembling formal tennis kit but in a rather lame way, I’ve been seduced by the current tenniscore fashion movement. Although tennis is my only sport, I’ve never owned whites, but a rather fabulous white – actually ecru – tennis ‘skort’ has arrived in the post. I only just prevented myself from adding a V-neck white sweater with navy trim to the order. Now I’ve just got to get on the court for the first time this year and stop with the shopping. Sadly, there is absolutely no resemblance at all between how I look in this hybrid of shorts and skirt to the gorgeous Zendaya, female star of the new Luca Guadagnino film Challengers. And it’s not only Zendaya in her little tennis dresses who hits the spot.

Isabel Hardman, Paul Wood and Alexandra Shulman

From our UK edition

18 min listen

This week: Isabel Hardman examines our curious obsession with glucose monitoring gadgets (01:03), Paul Wood wonders what exactly went on between Putin and Prigozhin (07:11), and Alexandra Shulman shares the contents of her weekly diary (12:15). Produced and presented by Linden Kemkaran.

Why I won’t dish any dirt on Vogue

From our UK edition

I’ve spent every evening of the past week in the midsummer gloaming, making the most of the longest days of the year. London has been en fête. The National Portrait Gallery’s long-awaited reopening was occasion for an enormous party, but I found it to be a weirdly disorientating experience. As an ex-trustee, for eight years I thought I knew the place pretty well. I could find my favourite portraits on autopilot, using a mental map of the different galleries. I had even worked with the team there on British Vogue’s 100th anniversary exhibition in 2016. But last week it was all change, as the whole place has been reconfigured by architect Jamie Fobert and director Nick Cullinan. They have created more natural light, new spaces and a different perspective on the collection.

With Alexandra Shulman

From our UK edition

19 min listen

Alexandra Shulman is the former Editor-In-Chief of British Vogue. On the podcast, she talks to Olivia and Lara about her mother Drusilla Beyfus's etiquette tips, wining and dining as a journalist in the 80s, and how doughnuts never lasted long at Vogue. Presented by Lara Prendergast and Olivia Potts.

Diary – 9 August 2018

From our UK edition

The British weather is just like the worst boyfriend. The kind that keeps you in a state of permanent insecurity over their intentions. ‘See you later,’ they say blithely on departing in the morning, a comment that could equally well mean after lunch, or sometime in the second half of the year. Our programming for disappointment is so deep that even during the recent weeks of sunshine it’s been hard to feel completely safe in making future plans. Supper tomorrow in the garden? A picnic next weekend? Is that hubristic? Should we have a plan B? Of course when the days have turned out to be glorious, just as when the nightmare lover is at their most charming, the experience is hugely enhanced by the fact that we can’t rely upon it.