Alexander Larman

Alexander Larman is an author and the US books editor of The Spectator.

MobLand is a disappointment

Last year, I wrote a feature for this magazine in which, disturbed by the apparent revival in the British gangster genre, I counseled a degree of caution as to its practitioners’ apparent lack of discernment in their approach to the tropes and clichés of the tradition. “We will be left," I concluded, "with the cinematic equivalent of bald men fighting over a comb: a boot, stamping on a human face for all eternity, while someone calls someone else ‘a slag.’ It is not, perhaps, the most enticing of prospects.” If the Guy Ritchie-Tom Hardy collaboration MobLand is not as hideous a creation as this suggests, it is also something of a disappointment given the cast and creative talent involved.

tom hardy mobland

King Charles’s hospital visit will prompt concern

From our UK edition

The news released last night that King Charles had been briefly hospitalised was an unwelcome surprise. A statement from the royal communications department tersely declared that: The public cannot expect minute-by-minute updates as to every aspect of the monarch’s condition Following scheduled and ongoing medical treatment for cancer this morning, the King experienced temporary side effects that required a short period of observation in hospital. His Majesty’s afternoon engagements were therefore postponed. His Majesty has now returned to Clarence House and as a precautionary measure, acting on medical advice, tomorrow’s diary programme will also be rescheduled.

The sad demise of Prince Harry’s Sentebale charity

From our UK edition

Prince Harry has had an eventful couple of years. There was the controversy-studded publication of his memoir Spare and a plethora of court cases, the highest-profile of which was resolved earlier this year. After all that, the Duke of Sussex might be forgiven for wishing to keep a low profile for the rest of 2025. His relative reticence might be seen by his fleeting, last-minute cameo in With Love Meghan; literally and figuratively, he seemed to be saying that it was her show now, and that he was just a bystander. Yet if he had wished to disappear from the spotlight, the news about his charity, Sentebale, has made such a desire wholly impossible.

Meghan’s online shop is a new low for team Sussex

From our UK edition

Earlier this week, I tried and failed to purchase a couple of items from the As Ever range that the Duchess of Sussex has been touting in her ill-fated Netflix show. I shan’t lie, Spectator readers; my dedication to bringing you the latest hard-hitting investigative news was tempered by the hope that such condiments as the 'limited edition wildflower honey with honeycomb' and the 'shortbread cookies with flower sprinkles' would end up being perfectly edible. Meghan has used the ShopMy online portal to offer 'a handpicked and curated collection of the things I love' Alas! Not only is the collection not yet available for sale – 'Be the first to know,' the website promises, ominously – but there is no suggestion that it will be available anywhere outside the United States.

Hans Zimmer and Friends: the next level of film music?

At one point during the part-concert film, part-documentary Hans Zimmer & Friends: Diamond in the Desert, super-producer Jerry Bruckheimer refers to Hans Zimmer as “the greatest living film composer in the world.” Zimmer, present when such flattery is offered, does not exactly nod in agreement, but nor does he laugh it off. While there are those who would argue that John Williams or Howard Shore have as great a claim to such a title – to say nothing of the equally influential Danny Elfman, Michael Giacchino or Alan Silvestri – there is one incontrovertible reply. Zimmer has a two-and-a-half hour movie dedicated to him and his work, showing in one-off engagements in theaters worldwide at the moment – and the rest of them don’t.

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Why Prince William’s Estonia trip matters

From our UK edition

It is a requirement of the Royal Family that they should remain politically neutral. They are, after all, the only family in the United Kingdom who are constitutionally not allowed to vote. However, this does not stop its various members from having opinions and expressing them, sometimes in embarrassing and distinctly un-regal fashions. Whether it’s the Queen Mother’s lady-in-waiting Helen Hardinge writing in her diary that her employer was a 'diehard Tory', the late Queen’s open and clear affection for the Labour PM Harold Wilson or, more recently, Prince Harry’s equally open and clear contempt for Donald Trump, the old royal adage of 'never complain, never explain' has been tested to its limits when it comes to politics, both domestic and international.

Black Bag is about as good as mainstream filmmaking gets

If you would like to see that rarest of endangered species — a smart, witty and original 90-minute thriller aimed at adults — then stop reading this review immediately and go and see Steven Soderbergh’s Black Bag. It is a film that is probably best enjoyed by going in entirely blind, where the bare bones of the premise, revolving around a husband-and-wife pair of British spies who find themselves under suspicion of treachery, possibly by one another, is all you need to know. Yet if you need further convincing, then rest assured that this a one-of-a-kind blend of Mission: Impossible, Private Lives and Tinker, Tailor, Soldier, Spy, with a little Mr. and Mrs. Smith thrown into the mix, to season.

black bag

Does Meghan Markle need another podcast?

From our UK edition

‘Success’, Winston Churchill supposedly once remarked, ‘is the ability to go from failure to failure without loss of enthusiasm.’ If this is indeed the case, then Meghan Markle’s 2025 thus far represents a remarkable series of triumphs and victories. After her recent Netflix series With Love, Meghan received reviews that ranged from the merely sarcastic and rude to the positively vituperative, it was promptly renewed for a second series. Never mind that the second instalment was commissioned (and filmed) at the same time as the first, or that the ratings for the much-maligned show have been considerably worse than Netflix’s Harry and Meghan, there will be more of the Duchess of Sussex’s lifestyle tips and hints later in the year. Let joy be unconfined.

Brutalist

American cinema at its best

The extraordinary success of The Brutalist is not something that Hollywood, or anyone else, anticipated. When it was announced for last year’s Venice Film Festival, it was regarded with a degree of interest but not much else. After all, Brady Corbet’s previous two films — The Childhood of a Leader and Vox Lux — had attracted a degree of critical attention but neither had been an awards player, let alone making any money at the box office. Auteurs can auteur, but the wider Hollywood establishment will only take them seriously if their films make some decent bank. When Chloé Zhao won Best Picture and Best Director for Nomadland, her reward was to be given hackwork on Marvel’s first major flop, Eternals: fingers crossed that her next picture, Hamnet, restores her to critical favor.

Does Anora deserve the backlash?

Usually, when a film wins Best Picture at the Oscars, the inevitable backlash takes years, if not decades, to come to the surface. Sometimes, it’s simply because the “wrong film” won (Crash over Brokeback Mountain, Shakespeare in Love over Saving Private Ryan), and on other occasions, it is because a film’s social or sexual politics have dated incredibly badly. (Here’s looking at you, American Beauty.) Yet after what must be the most contentious and controversial Oscar season in living memory, during which no fewer than four separate films were all tipped for glory at one point, the eventual victor ludorum, Sean Baker’s Anora, is facing a vicious and sustained assault on its credentials that is without precedent.

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Does the King really listen to Beyonce?

From our UK edition

Is this really the King’s favourite music? If you’ve ever had sleepless nights wondering what King Charles’s favourite tunes are, Apple has now come to your rescue. A selection has been put out on Apple Music, grandiloquently entitled ‘His Majesty King Charles III’s Playlist’, and the monarch has put out a brief statement to explain his choices. ‘I wanted to share with you songs which have brought me joy. They evoke many different styles and many different cultures. But all of them, like the family of Commonwealth nations, in their many different ways, share the same love of life in all its richness and diversity.

Greggs is a great British success story

From our UK edition

Whenever I’m walking down Cornmarket Street in Oxford – an otherwise unlovely thoroughfare – there is something about the spectacle of the enormous Greggs there that gladdens my soul. Compared to all the other overpriced, depressing places that sell lunchtime sandwiches in the area – I popped into Pret the other day and was astonished to be charged a fiver for some measly dried mango and a suspicious can of drink – Greggs is dedicated to giving its customers value for money that isn’t just welcome, but, in these straitened times, feels positively generous. There has been a market for a modern-day Lyons’ to come in and succeed The food is good, too.

Netflix’s ‘With Love, Meghan’ is Brand Sussex’s final hope

From our UK edition

So here it is, the undistinguished thing, at last. I had hopes that, after its postponement because of the Californian fires, Meghan Markle’s new reality show With Love, Meghan, would quietly disappear from the schedules. These hopes were, as usual, disappointed. Not only has the programme arrived on Netflix as a simultaneous worldwide premiere, but there has been a blitzkrieg of hype that reminds the unwary that the Duchess of Sussex – or ‘Meghan Sussex’ – is a very big, very famous deal indeed. There has been a gushing interview with People and a New York preview screening for her most devoted fans, some of whom have celebrated the renaming of her forthcoming lifestyle brand As Ever by getting the words tattooed onto their arms.

In defence of Jack Vettriano

From our UK edition

The death of the painter Jack Vettriano at the age of 73 is sure to delight at least one art critic: the Guardian’s Jonathan Jones. Jones has consistently attacked the creator of The Singing Butler, Britain’s best-selling single image, as ‘brainless’ and ‘not even an artist’. He derided his work as ‘a crass male fantasy that might have come straight out of Money by Martin Amis.’ Nor is he alone.

A refreshingly apolitical Oscars

From our UK edition

It is always nice to have a personal connection to the Oscars, however slight and fleeting it might be; hearing Conclave screenwriter give a shout-out to my daughter’s godfather Simon during his acceptance speech for Best Adapted Screenplay was a deeply pleasurable moment. Yet this joyful touch aside, what had initially looked like one of the most wide-open Academy Awards in history eventually proved to be nothing of the kind. Indie director Sean Baker’s twisted romantic comedy Anora, about a sex worker who marries an oligarch’s son, had won the Palme d’Or at Cannes last year. After various twists and turns, it asserted its frontrunner status once again, taking four awards for Baker personally: Best Picture, Best Director, Best Original Screenplay and Best Editing.

King Charles offers his support to Zelensky

From our UK edition

This weekend marks perhaps the most turbulent 48 hours that Ukraine's President Zelensky has ever experienced – and, given the events of the past three years, that is saying an awful lot. After his already notorious reception in Washington at the White House in Friday, and rather more emollient greeting by Keir Starmer in Britain yesterday, he has now visited Sandringham to see King Charles after attending a summit of European leaders at Lancaster House. Doubtless he is running on a mixture of adrenaline and righteous anger at his enemies – whether those of long standing or more recently acquired – but he is almost certainly in need of reassurance that his allies will be steadfast, whatever the circumstances.

The rationale behind Trump’s second state visit

From our UK edition

When Keir Starmer greeted President Trump on his visit to Washington, he held a piece of paper in his hand that would have been rather welcome for The Donald. It was nothing less than a formal invitation from King Charles for the second-term president to conduct a second state visit to Britain, and it would be an occasion on which every single indulgence would be offered to him. The letter, which Trump proudly demonstrated in front of the cameras, was emollient in nature, to say nothing of almost parodically polite. It said that ‘I can only say that it would be [a] pleasure to extend that invitation once again, in the hope that you [will at] some stage be visiting Turnberry and a detour to a relatively near neighbour might not cause you too much inconvenience.

Gene Hackman was never, ever bad, whatever the role

Somehow the strange circumstances of the death of Gene Hackman, found dead in his New Mexico home with his wife Betsy and their dog, make the end of one of America’s finest actors all the more poignant. The full details will presumably become clear soon — but whatever happened, it is more important to remember Hackman’s legendary on-screen career than to waste time fixating on his final moments. He was an actor without sentiment, but with enormous amounts of fierce compassion — even when playing villains — and it is those qualities that should be celebrated. Hackman began his life in the Marine Corps before he became an actor, and many of his best performances have the tough, unbending quality that he developed in the military.

The courage of Salman Rushdie

I know that our readers have led varied and colorful lives, but I would suggest that few, if indeed any, of you have spent decades cowering under the daily terror of a fatwah imposed upon you by a totalitarian state because of a literary novel that you once wrote. I would also suggest that, when Salman Rushdie — for he had that dubious privilege — emerged from a lengthy, frightening and tedious period of hiding, he chose to immerse himself in the social life of both London and the United States to show that he was not afraid, and that the threats and grimacing of extremists did not mean that he was not entitled to lead his own version of his best life. He was right to do so.

salman rushdie

The Sussex Squad comes for Larman

I am not, nor ever have been, a friend of Jeffrey Epstein. Yet, after I wrote a piece earlier this week commenting on Meghan Markle’s peculiar decision to change the name of her lifestyle brand America Riviera Orchard to As Ever, this was merely one of the things I was accused of being. Within hours of the story being published, I was inundated with a level of online abuse that swiftly went from the intimidating to the unintentionally hilarious, so vitriolic and overblown was its content.

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