Alexander Larman

Alexander Larman is an author and the US books editor of The Spectator.

Can Prince Andrew be trusted to live a ‘private’ life?

From our UK edition

When I last wrote about the banned old Duke of York, following his voluntary decision to stop using his titles, I suggested that many will now be wondering why the last step of throwing him out the Royal Family altogether cannot be taken. Over the past week, something that would have been unlikely – even unthinkable – has now moved into mainstream discourse. It has become increasingly obvious that the Firm’s actions, masterminded by Prince William and executed by the King, have not gone far enough to stem the tide of public outrage.  It now seems a virtual given that Andrew will have to leave Royal Lodge.

The significance of the King’s visit to Rome

From our UK edition

In any other week – or month, or year – King Charles’s visit to Rome would have been a truly seismic occasion, laden with symbolism and religious importance. Some may have recalled the unexpected significance of that great Father Ted line, ‘That would be an ecumenical matter’, when the news was announced that the King would be praying with Pope Leo XIV.  The moment where the monarch and the pope came together in the Sistine Chapel in worship, and thereby celebrate the Papal Jubilee, was an unprecedented one. In this, as in many other regards, Charles’s reign represents a break from tradition Not since Henry VIII created the schism between the Church of England and the Catholic Church has there been such a meeting of ruler and pontiff.

Is Jeremy Strong our John Cazale?

If you’re a big Bruce Springsteen fan, then this weekend’s new release, Deliver Me from Nowhere, will be one of the year’s most eagerly awaited releases. But more-casual fans of the Boss – and I include myself in this category, despite a great admiration for a vast amount of the Springsteen recorded canon – may find the film, which focuses on the recording of his notoriously sparse Nebraska album in the early Eighties, a strange mixture of hard-going and unedifying.

Strong

What is the point of Pizza Hut?

From our UK edition

When did you last go to a Pizza Hut? It’s one of those curious groups of fast food establishments – ‘restaurant’ seems rather too grandiose a term – that fell through the reputational cracks several years, perhaps even decades, ago, and has yet to expire. It was too expensive and fancy for those who wanted a Dominos or Papa Johns, not middle-class enough for the Pizza Express habitués and, of course, its pizzas – large, American-inspired creations that were served without particular flair or engagement – could not even begin to compete with the new vogue for Neapolitan thick-crusted delights that were ushered in by the arrival of Franco Manca in Brixton nearly two decades ago now.

Nothing can save ‘Prince’ Andrew now

From our UK edition

If the Royal Family had hoped the punishment meted out to ‘the Banned Old Duke of York’ would suffice in the court of public opinion, they would now be disappointed. Since Friday’s revelations that Prince Andrew would ‘no longer use’ his dukedom or other honours following the stream of scandals about his friendship with paedophile Jeffrey Epstein, more unedifying details have emerged. It seems that the nuclear royal option – to strip him of his princely title – grows more inevitable by the day. The nuclear royal option, to strip Andrew of his princely title, grows more inevitable by the day This final resort would undeniably be popular in many circles.

The Duke of York’s downfall is complete

From our UK edition

After much speculation, Prince Andrew has relinquished his royal titles, most notably the Dukedom of York and the Order of the Garter. This represents an existential humiliation for the beleaguered ‘Randy Andy’. This represents an existential humiliation for the beleaguered ‘Randy Andy’ Yet it could have been seen coming a royal mile off. The latest Jeffrey Epstein revelations, that Andrew had continued to email the billionaire paedophile long after he'd claimed they'd ceased contact, were not only hugely damaging but potentially the tip of a very incriminating iceberg. That he has also had dealings with an alleged Chinese spymaster (not to mention a Beijing businessman now barred from entering the UK) is merely the rancid icing on this particular stale cake.

Have the Virginia Giuffre revelations got Prince Andrew sweating?

It is a staple of Gothic fiction that the malefactor is often caught out by a document or apparition that appears from beyond the grave. And so it appeared for Britain’s scandal-riddled Prince Andrew, ever since it was announced that Virginia Giuffre, who the now-former Duke of York allegedly had sexual relations with when he was 41 and she was 17, was posthumously publishing a memoir, entitled Nobody’s Girl, in which she offered candid accounts of what, precisely, happened with Andrew, courtesy of the disgraced sex offender Jeffrey Epstein. Everyone – including the royal family – braced for impact, and the decision to remove Andrew’s title and Order of the Garter must surely have been dictated by this latest humiliation.

The Chair Company is the workplace comedy we need right now

If you watched The Paper and, like most of its viewers, remained unimpressed by its comparatively limp updating of The Office – and I’m still haunted by the sheer awfulness of Sabrina Impacciatore’s performance in it – then you’ll be delighted to hear that Tim Robinson’s new show, The Chair Company, which is made by HBO, is the dark workplace comedy that the world needs right now. While it’s too early to say whether it’s a true classic along the lines of The Office, or a less impressive but still enjoyable achievement, it represents another success for Robinson, who is inexorably turning himself into one of the most interesting comedians and writers in the industry.

What’s the point of remaking Amadeus?

From our UK edition

At the close of Milos Forman’s Oscar-winning film, Amadeus, the central character, the terminally envious court composer Salieri, declares: ‘I speak for all mediocrities in the world. I am their champion. I am their patron saint.’ It’s one of the many memorable lines in the film, adapted from Peter Shaffer’s play, which revolves around the relationship between the decorous, respectable, well-connected Salieri and Mozart, who is portrayed as a near-insufferable upstart who has been given – unfathomably, in Salieri’s eyes – a musical talent that dwarfs everyone around him, not least the older man. There is every chance that Amadeus will be rubbish, a classic cheapened by identity politics and made smaller, cheaper and shoddier than the peerless original.

No, Meghan: your Netflix deal isn’t a sign of ‘strength’

From our UK edition

The Duchess of Sussex has been largely absent from the public eye since the release of the second series of With Love, Meghan, which came and went without anyone – save sarcastic journalists – bothering to pay it much attention. However, Meghan Markle is nothing if not indomitable. And so, shortly after she and her husband were honoured as the Humanitarians of the Year in New York last week, Meghan has argued that her new, reduced deal with Netflix is not a reflection of her waning commercial appeal, but instead represented a sign of strength. Really?

Will the Epstein files ever stop haunting Prince Andrew?

From our UK edition

It has not been a good year to be the Duke of York. Firstly, Andrew Lownie’s devastating joint biography of Prince Andrew and Sarah Ferguson, Entitled, splashed allegations of the grim antics of the prince over its unforgiving pages, to bestselling effect. In a few weeks, Virginia Giuffre’s posthumously published memoir will also be published. It will likely be hugely embarrassing for Andrew as Giuffre is expected to have detailed precisely what she alleged occurred between her and the duke several years ago.

Diane Keaton was a true original

From our UK edition

The death of the actress Diane Keaton at the age of 79 was greeted with an understandable mixture of sadness and surprise. Sadness, because the death of one of the leading ladies of the Seventies and Eighties (and beyond) robs the film industry of one of its true originals, and surprise, because nobody had any idea that she had been unwell. Yet it is somehow typical of Keaton – perhaps the only woman in history to have dated the wildly disparate likes of Woody Allen and Warren Beatty – to depart the set in a wholly inimitable way. Nothing about her life and career was in any way typical or predictable, so it is equally fitting that her end should be equally confounding, too.

How the Royals jumped on the Mental Health Day bandwagon

From our UK edition

Whether you consider World Mental Health Day an important and necessary means of drawing attention to often overlooked issues, or a gimmicky fad that somehow manages to overlook the other 364 days a year that such matters are equally important, there is no doubt that the royal family have been doing their bit to raise awareness. Never mind that it is most likely that the late queen’s solution to any mental health issues was to put on the Marigolds and engage in a spot of light cleaning (later, of course, to be done at greater length by a flunkey). The modern-day Firm is all about the caring and sharing, and they are taking great care to make sure that their subjects know that.

Why does Jared Leto still have a career?

This weekend, Tron: Ares releases across US cinemas, and is expected to make a decent, rather than record-setting, amount of money in its opening weekend. It is a curious film franchise in that neither of the two films that precede it are especially beloved, but both have iconic soundtracks composed, respectively, by electronic music pioneer Wendy Carlos and French electro duo Daft Punk. (The honors this time around fall to Trent Reznor and Atticus Ross, aka Nine Inch Nails.) Yet whatever the strengths and weaknesses of Tron: Ares – and the early reviews have not been kind – there is one aspect that can only make audiences groan in anticipation, and that is the casting of its star, Jared Leto.

Will Dwayne Johnson always be The Rock?

Over the past couple of weeks, two expensive, auteur-driven films with big stars have been released at the American box office, both conscious throwbacks to the kind of Seventies cinema that isn’t supposed to be made any longer. In the case of Paul Thomas Anderson, his Leo DiCaprio-starring Thomas Pynchon fantasia One Battle After Another seems to have been a success by the skin of its (yellowed) teeth: it has already made over $100 million worldwide, helped by excellent reviews and strong word of mouth. But in the case of another A-lister, Dwayne “The Rock” Johnson, the critical and commercial reception of The Smashing Machine has been rather more muted, suggesting that audiences know what they want from Johnson, and it sure as hell isn’t arthouse fare.

Prince Harry’s white saviour complex has been dealt another blow

From our UK edition

You’ve got to feel sorry for Prince Harry. After some of the best headlines he’s had in years during his well-received return to Britain last month, that goodwill has swiftly been dismantled under a blizzard of bad publicity. There was the accusation that he or someone around him leaked sensitive information about his brief meeting with his father to the papers. And now the revelation that one of the charities he's closely linked to, African Parks, has been described as no longer fit for purpose. Or, to be exact, ‘indelicate and disrespectful’.

The closest look yet at David Bowie’s mind and imagination

What would David Bowie say? The much-missed musician – dead a decade next January – is the beneficiary of a new, bespoke space inside the Victoria & Albert Museum’s East Storehouse outpost. Although Bowie is by no means Britain’s most commercially successful rock star, he is surely its most interesting – and certainly the most chameleonic, making his legacy ripe for serious re-evaluation. Now, thanks to the David Bowie Centre, the curious public can get its closest look yet into the artist’s mind and imagination. And as a bonus, it’s free, too. The space is composed of one room with nine rotating displays showing about 200 items.

Has Taylor Swift lost it?

From our UK edition

The Pet Shop Boy Neil Tennant once remarked that every successful musician has what he called ‘an imperial phase’, during which they can apparently do no wrong. In the case of Taylor Swift, the most successful and famous musician on the planet, her imperial phase has lasted from 2012, when she released her breakthrough album Red, until now, when she gifted the world her latest record, The Life of a Showgirl. It’s 2025’s most anticipated and most hyped release, following her lengthy, world-conquering Eras tour, and handily comes off the back of her engagement to American football player Travis Kelce, who many of its songs are about.

Jilly Cooper and the art of not taking life too seriously

From our UK edition

When I found out about the death of Dame Jilly Cooper while waiting for a train, I said, out loud, ‘Oh no!’ with such vehemence that several of the commuters around me shuffled away, clearly frightened by their proximity to a madman. Cooper’s death at the age of 88 – a good innings, but also wholly unexpected, occurring after a sudden fall – brings to an end the life of Britain’s pre-eminent romantic novelist, aka ‘the queen of the bonkbuster’. It is testament to her vast popularity that many of her millions of readers felt that they knew her intimately, and those lucky enough to meet her were invariably charmed by her good humour, self-deprecating wit and charm.

What can we expect from the Simpsons sequel?

It is now more than three decades since President Bush the First declared that American families should be “more like the Waltons, and less like the Simpsons.” In this, as in so many other things, Bush was to be disappointed. Thirty-three years after he made his remarks, the Waltons are now barely discussed in popular culture, if at all, while the exploits of America’s most famous yellow-skinned family have now moved into their 37th season with a further three, at least, planned. This is a degree of longevity that is unparalleled in any live-action sitcom equivalent, and the show’s creator Matt Groening could be forgiven for doing a victory lap.