Alexander Chancellor

There are people sent to depress us, and prominent among them is Mark Steyn, whose speciality is apocalyptic predictions. Following his bestseller America Alone: The End of the World as We Know It, which was about the collapse of all of the Western world with the exception of the United States, he is now predicting the collapse of the US as well, leaving the entire ‘free world’, as it used to be called, at the mercy of those great enemies of freedom, China and Islam. He writes: There will be no ‘new world order’, only a world without order, in which pipsqueak failed states go nuclear while the planet’s wealthiest nations are unable to defend their borders and are forced to adjust to the post-American era as they can.

At about 5.15 p.m. on 9 April 1953, Wilma Montesi, a 21-year-old woman of no account, leaves the three-room apartment in a northern suburb of Rome that she shares with her father, a carpenter, and five other members of the family and never returns. Thirty-six hours later her body is found by the edge of the sea at Torvaianica, a fishing village close to the capital. She is lying face down in the sand, wearing all her clothes apart from her shoes, her skirt, her stockings and her suspender belt, all of which are missing. She appears to have drowned. But why? Was it an accident? Was it suicide? Or could she have been murdered? There are no signs of violence to the body, so murder is not suspected. It is also difficult to conceive of a motive.

Anyone who thinks that a stable and loving family background is the key to a happy life had better read this book; for its protagonist, now 80 years old, was rejected as a baby by his unmarried mother, looked after by a doting and doted-on grandmother until he was four, and then, inexplicably (given that he had various relations who could have cared for him), consigned to an orphanage of Dickensian grimness from which he was finally discharged at the age of 14 with nothing but a Bible, a new suit, and a ten-shilling note. Yet Peter Paterson’s fascinating memoir shows him to have led a life of almost unnatural contentment. He has spent nearly 60 years of it in journalism, having drifted into it by accident and considered himself ever since the luckiest man alive.

The author describes this book as an ‘auto- biographical novel’, but since it would be quite beyond me to distinguish fact from fiction in this hair-raising account of his childhood years, I propose to treat it as if it were all true, especially as I can’t imagine anyone making any of it up. The author describes this book as an ‘auto- biographical novel’, but since it would be quite beyond me to distinguish fact from fiction in this hair-raising account of his childhood years, I propose to treat it as if it were all true, especially as I can’t imagine anyone making any of it up. The autobiography is of the stammering, sensitive figure of Roy Kerridge, the victim as a child of horrifying domestic circumstances.

It’s odd that a writer as excellent and long-established as Ian Jack hasn’t ever written an actual book but has stuck doggedly to the humble trade of journalism, of which this volume is a collection. It’s odd that a writer as excellent and long-established as Ian Jack hasn’t ever written an actual book but has stuck doggedly to the humble trade of journalism, of which this volume is a collection. The reason may be that since what he called ‘perhaps the best Sunday morning of my life’, the day in 1970 when Harold Evans offered him a job as a sub-editor on the Sunday Times, journalism has remained his first love.

The third volume of Simon Gray’s incomparable ‘smoking diaries’ opens with a bold statement of intent to drop the habit that has sustained and comforted him for more than six decades. The third volume of Simon Gray’s incomparable ‘smoking diaries’ opens with a bold statement of intent to drop the habit that has sustained and comforted him for more than six decades. ‘This diary is going to be about my attempt to give up smoking,’ he writes on page 1: It is also going to be my main help in giving up smoking.

This, as its title suggests, is a poignant book. In his account of the world’s last great polio epidemic in Cork, to which he fell victim at the age of six, nearly 50 years ago, Patrick Cockburn is neither self-centred nor self-pitying. He shows journalistic detachment in discussing the history and character of this terrifying disease, and as much, if not more, sympathy for its other victims as for himself. But he does at one point allow himself to say — and it is a most convincing claim — that he was perhaps ‘uniquely unlucky’. His famous parents, Claud and Patricia Cockburn, were largely responsible for his crippling.

Andrew Marr is a great adornment to his — our — trade. He is terribly clever and well-read, and I am sure he could have done something serious and useful with his life. But he decided early on that journalism was the thing for him. Despite his first-class degree in English at Cambridge, it quickly dawned on him that he wasn’t really qualified for any profession. ‘I was a scientifically illiterate innocent with the entrepreneurial instincts of a 13th-century peasant and the iron determination of a butterfly,’ he writes. ‘Journalism seemed the only option.’ But surely his instinct must also have told him that journalism was a field in which he would excel. He was gregarious, inquisitive, perceptive, energetic, and deft with his pen.