Wes anderson

Behind Wes Anderson’s infamous sensibility

Woody Allen once sardonically described the fans of his films as being divided between those who liked the “early, funny ones” and the later, darker pictures. Much the same might be said of another famous WA: Wes Anderson, who has established himself as one of American cinema’s most significant auteurs despite no longer living in the country – he hops between England and France. Like most auteurs, his films are more succèss d’estime than they are succèss de box office, but he has the cream of Hollywood lining up to work with him and commands respect among actors young and old. Anderson is rightly celebrated – or castigated – as a visual stylist, but he has enormous flair as a screenwriter Anderson’s visual sensibility is infamous.

The Phoenician Scheme is Wes Anderson at his most transparent

My name is Curtis. I’m a GenXer. I love Wes Anderson. I also like IPAs. Sometimes it’s OK to be a cliché. The Phoenician Scheme is not Wes Anderson’s best movie (that would be The Life Aquatic with Steve Zissou), or even his second-best. It may be his most transparent, though. Wes Anderson is certainly our auteuriest of major auteurs. A Wes Anderson film knows it’s a Wes Anderson film and doesn’t mind that at all. As a monarchist, I always point to auteur theory as a micro-reflection of my crackpot political theories. If it were possible for corporations to make movies by committee, it would certainly be done that way. But it isn’t. Instead, even the most hackneyed superhero sequel has a director – just as even the cheapest taquería has a chef.

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The genius of Gene Hackman

When the news of Gene Hackman’s death at the age of 95 was initially reported, ghoulishness quickly overtook sorrow. The unsolved-crime aspects of his death dominated the coverage. The actor, his wife Betsy Arakawa and one of their pet dogs were found dead in their New Mexico home in February. They were likely to have died as many as ten days beforehand. The police were swift to suggest that, while initially unfathomable, there were no signs of foul play. Still, this did not stop the usual conspiracy theories, including the indomitable Randy Quaid declaring that Hackman was murdered by the “Hollywood Star Whackers,” who also “got” Heath Ledger and David Carradine.

gene hackman

This month in culture: February 2025

Kinda Pregnant In theaters February 5 Amy Schumer stars as Lainy, a woman who dons a prosthetic pregnant belly when she grows envious of her best friend’s maternal glow. Once inside the secret world of mommies, Lainy learns how far she will go to stay close to her friends while being pulled toward a new love — Will Forte, who assures Lainy that she’s the least pregnant person he’s ever dated. Striking the balance of irreverence and heart Schumer is known for, Kinda Pregnant is buoyed by an accomplished comedic cast and backing from Adam Sandler’s Happy Madison Productions.

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Michael Gambon was so much more than Professor Dumbledore

Sir Michael Gambon, who has died aged eighty-two, played countless iconic and legendary roles over the course of a sixty-year career on stage and screen. Yet the part that he will always be best remembered for — and, in truth, not one that stretched this fine actor to his limits — was that of Professor Albus Dumbledore in the Harry Potter films. Gambon was offered the role after Richard Harris, who played the part in the first and second pictures, died (and after, rumor had it, Ian McKellen turned it down, not wanting to play another fictitious wizard after Gandalf). Gambon claimed neither to have read the books nor to know anything about the character, saying instead that he took on the role for his grandchildren.

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Has the Taika Waititi backlash finally arrived?

If you had to pick the two Hollywood directors who have been the most over-exposed in recent years, many people would opt for two idiosyncratic and hitherto likeable figures: Wes Anderson and Taika Waititi. The reason opinion has cooled on both filmmakers, however, in the past couple of years is that their work — which has often been excellent in the past — has become so stylized, and so constant, as to be exhausting. Anderson’s most recent movie, Asteroid City, was greeted with sighs and weariness, despite being a smash at the box office, and Waititi’s much-delayed picture about soccer, Next Goal Wins, has premiered at the Toronto Film Festival to general yawns of “predictable” and “seen it all before.

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Wes Anderson movies have become meaningless

The trailer for Wes Anderson’s latest film, Asteroid City, depicts the lonesome, desert sci-fi-induced death of twee. A sepia-toned artifice of the American West filmed near Madrid, it has everyone you would expect to be in a Wes Anderson movie, depicting themselves as always, with that special twinge of beautifully centered shots combined with at least one saccharine line which is designed to make you choke up a bit about a character who probably died off screen. Here is the trailer. https://www.youtube.com/watch?v=9FXCSXuGTF4&ab_channel=FocusFeatures There is something so horribly depressing about this.

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