Taylor Lorenz is optimistic about the internet
“People,” wrote Dwight Macdonald, “feel a need to be related to other people.” Not a happy sentiment, not intentionally. This was how mass culture — “masscult,” he called it — created diversion out of artless entertainment. His example was John Barrymore, an icon of a great acting dynasty whose alcoholic decline brought out raucous crowds, “because it showed them he was no better than they were.” Macdonald’s old pessimism came back to me toward the end of Extremely Online, which is more than a history of the internet creator “revolution.” Taylor Lorenz, a Washington Post columnist with a vivid online life, is its John Reed, chronicling the influencers’ victories while cheering them on.
