Vice

Are politician films really such a good idea, after all?

The news that Ali Abbasi’s Donald Trump drama The Apprentice has flopped in its first weekend at the US box office, taking in a mere $1.6 million from 1,740 locations across the country, may not be as surprising as liberal critics might suspect. The film received decent rather than adulatory reviews, many of which suggested that its portrayal of the young Donald Trump and his relationship with his mentor Roy Cohn was either too generous or unfairly maligned the younger Trump, depending on where your individual politics stood.

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The depressed press

There is a recurring type of incident that reflects the insularity of today’s media class: “Everyone was talking about it, but no one reported it.” There is no stronger indictment of contemporary media bias — it doesn’t arise just out of partisanship, nor out of opposition to reporting stories that displease our ruling class. It reaches the point of actively lying and covering up things any average American knows to be true. The most prominent recent example is found in the reaction to Special Counsel Robert Hur’s findings regarding Joe Biden’s hoarding of classified documents.

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Trump and Biden’s border battle

President Joe Biden and former president Donald Trump made dueling visits to the southern border this Thursday, as the issue of immigration becomes the political priority of millions of Americans. The latest Gallup survey (February 1-20) reveals that immigration ranks as the most important problem ahead of the 2024 presidential election. For context, 28 percent of Americans see the issue as the most crucial one, which is more than the following issues combined: federal deficit (3 percent), crime and violence (3 percent), foreign policy/foreign aid/focus overseas (3 percent), poverty/hunger/homelessness (6 percent) and inflation (11 percent).

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They wanted to break the internet. It broke them

Their declared intention was to break the internet. In November 2014, the winter issue of Paper magazine, a stalwart of the New York arts and music scene for thirty years, featured an image immediately declared iconic by social media: Kim Kardashian, her neck wrapped in pearls, popping a Champagne cork and catching the bubbly white stream that jets over her head in the coupe glass propped on her prominent derrière. And that was just the cover — the internet quickly shared photographer Jean-Paul Goude’s more pornographic images of an oiled-up Kardashian stripping out of her black evening gown to show off her famous buttocks, before going full frontal with a slightly unnerving smile. The gambit worked to the tune of 16 million views for Paper in a single week.

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How VICE lost its cool

Last week I was at a writers' party in Miami, a city at the cutting edge of tech, finance, the creator economy and nightlife. Naturally the writers were talking about themselves. I asked someone what he would do if he didn’t have to worry about pageviews or proprietors or the other pressing concerns of the modern media. “Think VICE, when it was good,” he replied. To me, VICE when it was good is the girl’s bum on the fiction issue from 2008. It’s Michael Moynihan’s raspy voice reporting from South Korea. It’s the floppy hair of the one super-hot reporter I knew that smoked filterless roll-ups. VICE was where the cool kids at the back of the bus would grow up to write, the place that you would daydream about working for as a young reporter.

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Are the Walter Cronkite journalism awards for real?

It's no secret that mainstream journalism awards have gone to the dogs. The Washington Post and the New York Times both received Pulitzer Prizes for their "reporting" on Russiagate, for example, though their stories desperately hinted at a conspiracy between the Trump campaign and Russia that didn't actually exist. The NYT's Nikole Hannah-Jones received a Pulitzer for the widely debunked 1619 Project. The Walter Cronkite Award has previously been given to NBC News's Chuck Todd for excluding so-called "climate deniers" from his broadcasts, a CNN journalist who described the 2020 riots in Kenosha as "fiery but mostly peaceful" was nominated for an Emmy, and the New York Press bestowed CNN's Jim Acosta with a "Truth to Power" award.

walter kronkite NBC News reporter Ben Collins (YouTube Screenshot)

An ode to smoking

Studies show that fewer than half of Americans keep their New Year’s resolutions. The other half, I assume, are bald-faced liars. Losing weight, giving up drinking, cutting back spending and learning an instrument. Apparently it’s mainly the Western world that dresses up the idea of setting yourself wholly unrealistic goals as fun — no shock there. Other countries clearly have better things to do than ask themselves things like “How can we make our lives more miserable this year?” or “What is the one thing I enjoy too much?” The year before last, when I found myself spending weekends doing things like consolidating pension funds, I decided I was old enough to choose which social norms I would conform to.

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Jeffrey Toobin’s Zoom horror show

It's been a bad couple of years for Jeffreys... Veteran New Yorker reporter Jeffrey Toobin has been suspended from the magazine after he 'exposed himself during a Zoom call last week', according to VICE. Toobin, who also serves as a CNN legal analyst, must have been reaching for the tissues as he described the incident as an 'embarrassingly stupid mistake' and offered an apology to his 'wife, family, friends and co-workers' in a statement. Cockburn is perhaps most surprised that Toobin is the first significant figure to be caught out during a video-conference, seven months into the COVID pandemic. What took us? Naturally, Twitter users have been having a field day with the story: https://twitter.com/rysimmons/status/1318266346610765829 https://twitter.

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How I became an ‘extremist’ overnight

Ever since being beaten and robbed by Antifa in Portland in June, I have continued to receive threats of violence, which have prompted attention from police. But the scale of the abuse I received on Tuesday morning after waking up was unprecedented. The source of the rage? A Daily Beast hit piece headlined, 'Right-wing star Andy Ngo exits Quillette after damning video surfaces.' This was followed by another story in the Washington Examiner, shared in a tweet, which said I was out at Quillette 'after controversial video surfaces showing him doing nothing to stop or report violent attack.' This was followed by more hit pieces on VICE and Media Matters.

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VICE Media is the mausoleum that cool built

Of all the illusions that swarm the contemporary media landscape surely the most spectacular is the notion that VICE has anything to do with journalism. In January they announced a new show for their ailing cable channel VICELAND. Called VICE LIVE the nightly two-hour show will be (mostly) live from VICE’s Williamsburg office, and promises to showcase ‘all things VICE.’ Described by Variety as ‘ambitious’ the new format promises to revolutionize television, which had its first live broadcast in…1926. VICE has been flogging ancient formats to people who should know better since the 1990s. CEO, co-founder and self-anointed ‘Stalin’ Shane Smith is essentially the Jordan Belfort of content production.

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Bonfire of the ‘journalists’: social justice clickbait faces its Waterloo

At the end of George Orwell’s Animal Farm, Clover and her friends gaze through the farmhouse window at a terrible scene. Their leader Napoleon is hosting a delegation of humans from the neighboring farm. A strange thing is happening to the faces of the men and the pigs sat around the table: ‘Twelve voices were shouting in anger, and they were all alike. No question, now, what had happened to the pigs. The creatures outside looked from pig to man, and from man to pig, and from pig to man again: but already it was impossible to say which was which.’ There was a time when I ‘liked’ the Facebook pages of Vox, VICE, the Huffington Post, BuzzFeed, Mic, Upworthy, Mashable, Refinery29, Slate, Salon, NowThis, Thrillist, Gawker.

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