Verona

Carlo Scarpa’s artful management of light and space

If Carlo Scarpa were as well known as Le Corbusier, modernism might not be so reviled. This architetto poeta grew up in Vicenza, whose 21 buildings by Palladio surely had a formative influence on his fast- evolving artistic intelligence. Scarpa studied building design at university, but, instinctively disobedient, never bothered with a licence to practise as an architect. So connected was he to his native territory that when Frank Lloyd Wright first visited Venice in 1951 he insisted on Scarpa being his guide. Most of Scarpa’s working life was spent in the Veneto, but he died in 1978, aged 72, in Sendai, Japan, after falling down a flight of concrete

Soave, an original sin-free wine

‘The Lord God walking in the garden in the cool of the day’: surely one of the most beautiful images in all writing. One might have thought that it would have softened the Almighty’s mood, so that He would have given Adam and Eve a mere ticking-off for scrumping. But no: that stroll ended in the doctrine of original sin. For those who suffer under it, there is one aesthetic relief from stifling, humid heat: stucco seen through green-leaved branches. That combination refreshes the soul. It works even better, of course, if lesser regions have a less aesthetic form of refreshment: the cool of the glass. In pursuit of garden