Trigger warnings

Hogarth framed

Visiting public art galleries has become a dangerous undertaking — at least if one wishes not to be accosted by ludicrously woke signage and unnecessary trigger warnings. In the past, one might have, justifiably, seen warnings before entering a room exhibiting, say, the garish and pornographic sculptures and photos of Jeff Koons going hard at it with Hungarian-Italian “actress” and part-time politician Ilona Staller, aka Cicciolina. Today, such warnings are found outside galleries exhibiting not such ephemera but the greatest works in the Western canon. Last autumn’s Titian show at the Isabella Stewart Gardner Museum in Boston warned visitors before entering that “Titian: Women, Myth and Power explores themes of sexual assault and violence.

Hogarth

Why trigger warnings don’t work

The science is in, but don’t expect that to change anything. According to at least 17 recent studies, trigger warnings — those advisories posted ahead of content some readers may find distressing — not only fail to alleviate suffering in the emotionally disturbed but may actually induce greater trauma in those individuals. There are, to date, no studies that indicate trigger warnings work to their intended purpose. They were dreamed up in the 1970s after psychologists began to diagnose a new condition, post-traumatic stress disorder, in Vietnam War vets. But trigger warnings only reached popular consciousness in the 2010s, when feminist blogs used them ahead of content about sexual violence.

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columbia

The problem with Ovid

'The Rotation Method’ is one of the most amusing sections of Kierkegaard’s Either/Or. The second-most famous melancholy Dane has some good advice for dealing with irritating absurdity: cultivate arbitrariness when confronted with flagrant examples of it. There is someone whose conversation you find insufferable. What to do? Kierkegaard’s narrator has some tips: ‘I discovered that he perspired copiously when talking. I saw the pearls of sweat gather on his brow, unite to form a stream, glide down his nose and hang at the extreme point of his nose in a drop-shaped body.’ There is much about cultural life today that can be profitably approached with the Rotation Method.