Toy Story

Toy Story 5 – do we need it? One worries for the narrative integrity of characters when an IP is thrashed to death like this. The latest ​instalment, however, does address one of the most pressing dilemmas of modern childhood (screen time) and whether it will be the end of toys. (‘Extinction… Not again!’ cries Rex, the dinosaur.) It is timely, with some delicious touches – Woody now has a bald spot So it is timely, with some delicious touches – Woody now has a bald spot. And while it isn’t as entertaining as the first three and stumbles at the finishing line, it may be better than the fourth, with its horrible doll Gabby Gabby.

In 2019, the aspiring filmmaker Morgan Cooper had a clever idea. He took the cheery early Nineties Will Smith comedy The Fresh Prince of Bel-Air and reimagined it as a gritty social realist drama, even making a low-budget trailer for his idea. It went viral, and the streaming service Peacock turned it into a series, now titled Bel-Air. The protagonist (still named Will Smith) is again removed to his aunt and uncle’s care after getting involved in gang tensions in West Philadelphia, but the show is largely devoid of jokes. Instead, it tries to offer a serious look at the young African-American experience in the contemporary United States, complete with Instagram influencers as supporting characters. It is not much fun. Television dramas reinvented as comedies are nothing new.