Toni Morrison

The hell of the antebellum South: Let Us Descend, by Jesmyn Ward, reviewed

From our UK edition

Jesmyn Ward, America’s only female two-time National Book Award winner, has had more than her share of hellish experiences to fuel her literary life. Her Mississippi-based family endured Hurricane Katrina. Salvage the Bones (2011), set during the catastrophe, was Ward’s response. Her memoir, Men We Reaped (2013), tackled her grief at losing five men close to her, including her brother, who was killed, aged 19, by a drunk driver. In January 2020, Ward’s husband died of acute respiratory distress syndrome. Ward recreates the hell of the antebellum South for the ‘stolen’ people forced into chattel slavery Hell is very much the context for her fourth novel, Let Us Descend.

The problem with Ovid

'The Rotation Method’ is one of the most amusing sections of Kierkegaard’s Either/Or. The second-most famous melancholy Dane has some good advice for dealing with irritating absurdity: cultivate arbitrariness when confronted with flagrant examples of it. There is someone whose conversation you find insufferable. What to do? Kierkegaard’s narrator has some tips: ‘I discovered that he perspired copiously when talking. I saw the pearls of sweat gather on his brow, unite to form a stream, glide down his nose and hang at the extreme point of his nose in a drop-shaped body.’ There is much about cultural life today that can be profitably approached with the Rotation Method.

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