Tina Brown

There’s a form of social anxiety that a lot of people suffer from — FOMO, Fear of Missing Out. “Fear” suggests something imaginary, that isn’t really happening. Not so. I don’t fear missing out, because I know I am. Friends are always asking me: are you appearing at the Hay Literary festival? No! Am I speaking at the Idler festival? No! Am I reading extracts from my book at the Cambridge Literary festival? No! “What?!” they exclaim in mock disbelief — and then ask why I’m not appearing at some small, obscure, local village literary fête, somewhere in the rectum of rural England. I’ve gotten used to the seasonal snub from the lit-festival establishment. And there are literary events all over London that I haven’t been invited to as well. OK, I’ll live.

I met my first wife at a party. I met my second wife at a party — and I’m convinced that I will meet my third wife at a party too. As I write, London is awash with parties, so my chances of finding my next wife are looking good. So far, I’ve met a sweet, bisexual marine biologist, a German curator — I’m not sure of what, but then everyone is a “curator” these days — a beautiful art critic who is famously bad in bed and one living legend. Her name is Tina. Tina Brown. Yes, that Tina Brown. Younger readers might be scratching their heads wondering: who’s that? (That’s like when young people say, “who are the Doors?”) She was the editor of Vanity Fair, the New Yorker and Talk magazine. (Gen-Z readers will be wondering: were they bands too?