The Substance

Sunday

December 29, 2024

The best film, TV and music of 2024

Film The Substance Seeing Dune: Part Two in IMAX, with the floor shaking as Paul Atreides’s forces charged the palace was my second-best cinema-going experience of the year. Trumping it was watching a DC audience recoil every other minute at Coralie Fargeat’s body-horror The Substance, a film that nods to Stanley Kubrick and David Cronenberg while declaring itself the most original of 2024. Two-thirds of the way through, I stopped wincing and started laughing, probably because my body didn’t know how to react. The film is a brutal parable of female self-loathing and insecurity — exacerbated, of course, by a venal male-led system, which Dennis Quaid’s producer Harvey personifies in a manner as grotesque as any of the movie’s gross-out special effects.

Monday

May 20, 2024

Alexander Larman

Cannes 2024: the highs and lows (so far)

Although this year’s Cannes Film Festival hasn’t concluded yet (it runs until this Saturday), there is a general sense that the true talking-point pictures have been frontloaded into the opening week, both in competition and out of it. Without doubt, the one that has attracted the most attention is Francis Ford Coppola’s sci-fi epic Megalopolis, which premiered last Thursday to a mixture of outright scorn and bemused but respectful appreciation, all of which suggests that, although it still lacks a US distributor, it will keep making waves upon its release later this year — although the chances of Coppola regaining anything like his $120 million investment are slim, to say the least.