The Passion of the Christ

When Mel Gibson’s ultra-violent, ultra-religious Passion of the Christ made $612 million worldwide, it was not earning its money from teenagers looking for a night out. Despite its R rating, churchgoers were being bused to theaters by the millions, thanks to the heavy support it received from evangelical Christian groups. Everyone from Billy Graham and Jerry Falwell to Pat Robertson and Chuck Colson came out in support of the film, although the Pope’s supposed endorsement — "it is as it was" — was denied by the Vatican. Yet faith-based films have quietly been big business in Hollywood for decades now.

News that the John Wick spin-off TV series The Continental has cast its lead actor has produced an unusual amount of vitriol. Was this because it was not an actor of color, a trans performer or some other member of a minority? No: it was because it was Mel Gibson, the walking bête noire for liberals in Hollywood. As many other outspoken conservative or simply unsavory figures (hello, Kevin Spacey! Greetings, Armie Hammer!) have found their careers curtailed for their antics, Mel Gibson’s continued ability to book high-profile acting roles has driven the sharp-fingered mob of social media into a frenzy of disdain. Granted, Gibson’s star has waned considerably since his heyday in the Eighties and Nineties.