The lake district

It’s tricky for writers to gather up pieces of old work and collect them in significant literary form. It’s risky for former politicians to publish outdated commentaries, with no agenda other than to show politics on the ground and as a record of their efforts and prejudices. Most hazardous of all is titling a book in such a way that it eschews the established geographical and psychological identity of the region it describes. These are the challenges Rory Stewart sets for himself in Middleland. The book consists of the granary-floor sweepings of journalistic pieces published in the Cumberland and Westmorland Herald while Stewart served as MP for Penrith and the

Tom Baldwin declares at the outset: ‘It’s only fair to warn those hoping to find these pages spattered with blood that they will be disappointed.’ Fair enough. This is not an authorised biography, but it is a friendly one, written with Keir Starmer’s co-operation. Baldwin briefly worked as Labour’s communications director, and then was asked to help Starmer with his autobiography. They did several interviews, but Starmer always had reservations and finally pulled the plug last spring. Instead, he agreed that Baldwin could write this book, using some of the material he had already gathered, and that he would assist him with contacts. Starmer’s worst fault, according to his friends,

On the opening page of The Farmer’s Wife, Helen Rebanks quotes George Eliot’s famous passage from Middlemarch. Dorothea adds to ‘the growing good of the world’ through her ‘unhistoric acts’ and by having ‘lived faithfully a hidden life’. With this enchanting, funny, fearless book, Rebanks brings her own ‘unhistoric’ life unequivocally out of hiding. The blood, mud, slog, exhaustion, bureaucracy and financial angst of farming are ever-present She lives with her husband James (a bestselling writer) and their four children in the Lake District on their farm shared with six sheepdogs, two ponies, 20 chickens, 500 sheep and 50 cattle. Writing in the present tense, she describes the rhythm of

One thing that Covid lockdown made us appreciate was the importance of being outdoors. When we were finally allowed into them, national and local parks became chockfull and many people rediscovered that being in the open had health benefits. How timely, then, that Matthew Kelly has written an account of four redoubtable rural activists: Octavia Hill, Beatrix Potter, Sylvia Sayer and Pauline Dower. He describes them as ‘the women who saved the English countryside’ – which is perhaps a bit of a stretch, though it’s true that individually they fought tooth and nail to preserve vast tracts of it. Their lives spanned the past two centuries and they were all,