The Doors

Val Kilmer should be more appreciated in death than he was in life

The late Val Kilmer was difficult. That word is a kiss of death in Hollywood, because as soon as it’s murmured that you are hard to work with, your career declines inexorably. Kilmer had directors lining up to say how impossible he was. Joel Schumacher, who made Batman Forever with him, barely stopped kvetching about the actor, calling him “overpaid, overprivileged and psychotic.” Shortly after the film’s release, Schumacher said “He was badly behaved, he was rude and inappropriate. I was forced to tell him that this would not be tolerated for one more second. Then we had two weeks where he did not speak to me, but it was bliss.

Kilmer

John Densmore on protecting the Doors’ legacy

The once-explosive accusation that a rock ’n’ roll band is a sell-out, aimed at artists who make an accommodation with industry, has come to seem a little naive since it was first bandied about in the 1960s. Whether it’s that well-known monument to prudence Iggy Pop extolling the virtues of car insurance, the Zombies promoting Tampax or Bob Dylan shilling for Victoria’s Secret, they’re all at it these days. Elton John wants you to dial UberEats, the Stones will start you up with a $139.99 Keurig coffee machine, and by now it might be easier to list the names of rock stars who haven’t chugged Pepsi on TV than those who have.

densmore