The Bee Sting

The Spectator’s 2024 Books of the Year

William Boyd It makes grim, compelling and minatory reading, but Hitler’s People (Penguin, $35) by Richard J. Evans is not only the only book you ever need to read about Nazi Germany but a salutary example of what happens when crazed populist leaders win power. Twenty-two short portraits of the key players and lesser apparatchiks of the Nazi years manage to encompass the whole history of the Third Reich and its baleful legacy. Evans’s hundred-page chapter on Hitler — the “Boss” — is masterly. Evie Wyld’s fourth novel, The Echoes (Knopf Doubleday, $28) with its edgy and moody supernaturalism (the narrator is a ghost) establishes her growing reputation as one of our finest young writers.

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Is the hype for The Bee Sting justified?

On a recent visit to the bookshops of New York, I found all the usual suspects front and center. If you wanted David Grann, Amor Towles or Salman Rushdie, you had come to the right department; if your tastes veered more toward the Air Fryer Cookbook, that particular whim would be well catered for, too. But the single book I saw on most prominent display everywhere I visited was the new novel by the Irish author Paul Murray, The Bee Sting. A shop assistant in McNally Jackson professed herself an admirer of both writer and work. “I’ve never seen anything like it. We sell a dozen copies a day, sometimes more. It’s hit a chord with people in a way that other books just don’t.

Murray