Ta-Nehisi Coates

In the wake of Charlie Kirk’s assassination, Democratic lawmakers and commentators found themselves in a quandary. On the one hand, most of them loathed Kirk. On the other, many felt that they should try to hold the line condemning the shooting through the throat of a young husband and father at an American university. These so-called ‘anti-fascists’ started behaving like nothing so much as the fascists they were searching for The New York Times’s Ezra Klein was among those who dipped his toe into the water, writing a piece within the day titled “Charlie Kirk was practicing politics the right way.

Amid lingering questions about what Kamala Harris stands for — plus a precipitous decline of the momentum the vice president enjoyed after leaping to the top of the Democratic ticket — her campaign decided it was time to send her into the media fray. This was a very calculated media tour, of course. With the exception of the traditional 60 Minutes interview on CBS (which Trump declined this time around, as his team claimed the outlet wanted to do “live fact-checking”), Harris stuck to friendly, low-risk outlets where she was unlikely to make any major fumbles.Unfortunately for the Harris campaign, this simple task would prove to be too much for the veep.

As late as 2014, most Americans felt there was no need for the country to make any changes to address black-white inequality. 2015 was the year the future arrived. Donald Trump rode down the escalator. Ta-Nehisi Coates’s Between The World and Me was a publishing sensation. Freddie Gray died in Baltimore. The ‘Great Awokening’ — the journey of white liberals to the left of every other group in American society on racial issues — began. And in Spokane, Washington, there was the case of Rachel Dolezal. Like the Trump campaign, or Coates’s writing, or Gray’s death, the inglorious circus that surrounded Dolezal, a white woman caught pretending to be black, X-rayed American race relations. Dolezal was not sui generis.