Superheroes

Say what you like about the Marvel Cinematic Universe (or the MCU, for short) — and I do, frequently — but you can’t deny that it has a grim efficiency. The MCU impressively herds tens of millions of unsuspecting moviegoers into theaters to watch the latest incomprehensible special effects behemoth, with a wildly overqualified and suitably embarrassed cast. As I write this, the latest installment to threaten audiences is Ant-Man and the Wasp: Quantumania. Now I don’t know what Quantumania is, and I will be perfectly happy to never find out. But as the previous film, Ant-Man and the Wasp (the titles lack a certain finesse), made more than $600 million at the box office, I accept I might be in the minority.

Heading into this film, director Ryan Coogler confronted a virtually impossible situation: the sudden, tragic passing of his franchise’s leading man. Chadwick Boseman’s untimely 2020 death casts a long shadow over Black Panther: Wakanda Forever. The fact that the movie is coherent at all is remarkable. That’s probably underselling things, though. From an action standpoint, Wakanda Forever is a serviceable — if somewhat less inspired than its predecessor — Marvel epic. Beneath all the CGI, it’s a surprisingly meditative passing of the torch. Following the death of King T’Challa (Boseman) from an unspecified illness, the cloistered Afrofuturist nation of Wakanda reels.

The Boys (Amazon Prime) is a superhero series for people who hate superheroes. That's me all over, which is probably why I've loved every moment of four episodes I've seen so far. It's based on a comic book by Garth Ennis (Preacher; Punisher) who also hates superheroes. 'Personally, not having grown up with superheroes, I find them completely moronic,' he said in a recent interview I could only access by having to use a VPN hider to pretend I wasn't in the EU (seriously we can't leave that overregulated dump soon enough). And: 'The notion that the medium I work in is dominated (and, sadly, defined) by such a stupid genre is not one that feeds my sense of idealism.' Ennis claims to object to superheroes on moral grounds: they are glibly escapist and ignore the world's real problems.