Social media

Can Twitter still be saved?

A philosopher once famously said that Hell is other people. What the world has learned from Twitter is that Hell is other people’s opinions. It’s no wonder, then, that when Elon Musk came bounding into Twitter headquarters in late October — after changing his Twitter bio to “Chief Twit” — a popular response, on Twitter and off, was, “welcome to Hell.” When Musk, in an open letter to Twitter advertisers, wrote that he doesn’t want the site to become a “free-for-all hellscape,” he touched a debate concerning a much larger issue — balancing free speech against the need to keep hate, propaganda and manipulation out of public forums, particularly digital ones that can spread malicious content around the world instantly.

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In defense of Twitter

Twitter probably isn’t going anywhere. Major platforms don’t just vanish, after all. If we’re not still posting in 2023, then I’ll buy you all a drink — a bet you poor saps won’t be able to hold me to because you won’t be able to find me on Twitter. Still, if Musk’s “decimate and innovate” plans don’t work then Twitter will decline. It might get slower and buggier and more prone to crashing. Platforms don’t have sudden deaths, but they do have slow and painful ones. Even Myspace still exists. Will Twitter follow it into online obscurity? Not soon, perhaps, but it will in the end. Nothing lasts forever. So our thoughts turn meditative. Writers sometimes comment on Twitter as if it has trapped them in a toxic relationship.

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Left-wing Twitter goes full Apocalypse Now

In the film Apocalypse Now, Martin Sheen’s Captain Willard comes upon a remote outpost defending a bridge. Hoping to confer with the commander, he instead finds a delirious state of chaos. A machine gunner fires heavy caliber rounds into the night while trading taunts with an unseen member of the Viet Cong. “Who’s the commanding officer here?” Willard asks. “Ain’t you?” returns the bewildered gunner. After being awakened by his compatriots, “The Roach,” an apparently stoned soldier with a tiger-striped grenade launcher, advises that the VC is close. He propels a grenade off into the distance and the taunts of the enemy are silenced. “Hey, soldier. Do you know who’s in command here?” asks Willard. “Yeah,” answers the Roach before walking away.

The case for the Twitter blue check

In 2009, Twitter formalized a caste system. Notable users could apply for verification, earning a blue check next to their names. This was meant to stop malicious impersonators from adopting their identities. Oddly enough, one person who prompted this move was Kanye West, who had criticized “losers making fake Kanye West Twitter accounts.” Clarifying the identities of users was a valid aim. Still, it introduced class conflict. As Twitter acknowledged when controversy erupted after alt-right organizer Jason Kessler earned verification, being given a blue check was “interpreted as an endorsement or an indicator of importance.” An indicator of importance! Of course, that was obvious when it came to Barack Obama or Taylor Swift.

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Is Elon Musk about to ax millions in severance for Twitter execs?

As if getting fired from your job isn’t distressing enough, it’s got to hurt a whole lot more when you miss out on $122 million in payouts. Reuters reported that Elon Musk recently fired Twitter chief executive Parag Agrawal, CFO Ned Segal, and legal affairs and policy chief Vijaya Gadde. According to research firm Equilar, these folks were set to receive “golden parachute” payout packages worth up to $122 million in severance and unvested stock options. But according to the New York Times, “Mr. Musk… appears unlikely to pay the golden parachutes that the fired top executives of Twitter were set to receive. Under the merger agreement, those executives… had been set to receive compensation of $20 million to $60 million if they were fired. But Mr.

Elon Musk is now Donald Trump’s business rival

Cockburn has always had some formidable business rivals to contend with. It's not easy competing with the likes of other thinly sourced gossip rags like Page Six and the Washington Post (even if Cockburn is confident he could drink the staff at all those publications under the table). Yet so far as competition goes, it's Elon Musk who has it the worst this week. Last night, Musk completed his $44 billion takeover of Twitter, a calm and rational discussion site where people like to post helpful gardening tips and delicious recipes. "The bird is freed," Musk tweeted, though there are at least a few people (outside the expected left-wing freak-out) who won't be quite so pleased.

A comedian explains how to quit social media

James Acaster’s Guide to Quitting Social Media presents itself as a “how-to” or “self-help” manual. But it's actually a 272-page stand-up comedy special. It’s no surprise that a stand-up comedian would write a comedy book — indeed, this is Acaster’s third trip to the literary well — but it’s nevertheless striking how fully the Kettering-born joker commits to the routine this go-round. His new Guide to Quitting Social Media reads like it was meant to be performed on stage. It’s a return to the signature style Acaster became known for following his breakout special Repertoire in 2018. The Netflix collection was filmed in one week and features four distinct, one-hour comedy routines that build upon and call back to each other.

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Is Candace Owens cashing in on Kanye West?

A great American poet once wrote: I went to the malls and I balled too hard/ “Oh my God, is that a black card?”/ I turned around and replied, “Why yes/ But I prefer the term 'African-American Express.’” How times change. Following a failed presidential run, a bitter divorce and two poorly reviewed records, for Kanye West, “balling too hard” now means buying a right-wing social media site from Candace Owens’s husband. It was announced today that Kanye, who now goes by Ye, is to buy the social media platform Parler, in a move the company characterized as “a bold stance against his recent censorship from Big Tech.

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The left thinks social media is reality

Spotify once took a run at Joe Rogan. YouTube banned Dan Bongino. Twitter permanently suspended Marjorie Taylor Greene. Twitter also famously canceled Donald Trump, and for a while, me. As with the suspension of Trump (and on a much, much lesser scale, me) progressives cheered the deplatformings the way public lynchings used to attract a picnicking crowd. The left controls social media (as well as most mainstream media) and so day by day their unreal world becomes ethically more cleansed, more free of things they do not like, and with all the bad news (Hunter Biden) made to go away. The world online is the way they want it to be, with the real world held at bay behind the screen. Like living in The Villages in Florida, or maybe in the Matrix.

From modernism to totalitarianism

The modernist movement in the arts got underway around the start of the last century, encouraged by Ezra Pound’s exuberant exhortation to “Make it new!” Somewhat less attention was paid to making it good, as if what was new was inevitably good — better, indeed, than everything that had come before it. Barrels of printers’ ink were expended on the subject in the so-called “little magazines” of the period on both sides of the Atlantic, not all of it wasted; much of the relevant critical commentary was very intelligent and interesting indeed. Modernism as a concept and an aesthetic was less successful in music, painting, the plastic arts and architecture than in literature — though again, some of the work it inspired was very good.

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The Hunter Biden iCloud leak double-standard

Another day, another deeply compromising story about America’s first son. This weekend, a hacker on the 4chan messageboard claimed to have cracked Hunter Biden’s iCloud password — and proceeded to dump what appears to be the contents of his phone and iPad online. The images and videos in question are more or less exactly what you’d expect: Hunter smoking crack, Hunter brandishing firearms, Hunter cavorting with sex workers, Hunter naked displaying his large appendage. For readers, such as Cockburn, who managed to sidestep the Big Tech-media effort to suppress the New York Post’s “Laptop from Hell” story in October 2020, the iCloud leak contains no new revelations, just more of the same.

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Who will stand for free speech?

The primary feeling is a sense of dread. The oily scent of torches set aflame is in your nostrils, and the glint of pitchforks in moonlight appears on the horizon. You have, either accidentally or intentionally, said something that aroused the anger of a mob. Those of your friends who enjoy a good scrum send you laughing messages; those who are born afraid of such things ask quietly if you are all right. Your name is trending nationally and, amid it all, you worry it will never end. This is an experience that too many Americans have had in the era of social media.

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Matt Drudge was ahead of his time

There are two new movies in the works about internet provocateur Matt Drudge, and with the mic dropping on Roe v. Wade, today, they couldn’t come at a more appropriate time. Drudge has been dictating the national news conversation for decades, but he wasn’t always doing it out of the limelight. The tale of how a CBS Studios gift shop clerk came to inform the most powerful leader of the free world (Trump used to be a big fan) and the likes of the late Rush Limbaugh has been documented in articles, books, and a television series. Drudge went dumpster diving, found a discarded contract, and was the first to report that Jerry Seinfeld was negotiating for $1 million an episode for his show. Drudgereport.

Will the Supreme Court end social media censorship?

Conservative media seems to have missed this story, and the limited liberal press it got took it as a simple win. But the real showdown is coming this fall. Later this year, it is possible — not likely, but possible — that the Supreme Court will take away the right of social media platforms like Twitter and Facebook to censor content. This would have the effect of granting some level of First Amendment protection, now unavailable, to conservative users of those platforms. The potential for change hinges on a law struck down by the lower courts, Netchoice v. Paxton, which challenges Texas law HB 20. That law addresses social media companies with more than 50 million active users in the US, like Twitter, YouTube, and Facebook.

No one should be punished for retweeting my jokes

Coming out isn’t easy. It especially isn’t easy when you have to sit your wife and five children down and reveal that you are, in fact, an incel. I’m not sure which orphanage to send the children to, but I’m sure they’ll understand that that the screeching Bezos-funded blue checks on Twitter know what they’re talking about. Here’s what happened: I tweeted what turned out to be an old joke on Wednesday June 1. “Every girl is bi,” it said. “You just have to figure out if it’s polar or sexual.” I thought it was the perfect little bit of wordplay to end the first day of Pride Month. And the internet agreed. I’ve had a couple of banger tweets go far in the past. When you have a small account like mine, it’s nice when one passes 1,000 likes.

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We are failing to curate the present

When I try to write a letter by hand, my hand has forgotten how to do it. I stumble at the end of words. I trip over letters I’ve known since I was five. It’s odd, too, because writing by hand is what I do. I am paid to letter the titles of books and draw offbeat, sophisticated hand-lettering for advertisements. I am a professional handwriter and I am losing my grip. Have I become obsolete or is it the pen? Writing manually has become abnormal. I now think onto my laptop’s screen via an arrangement of letters on a keyboard, an arrangement originally devised to insert a steadying difficulty into the typing sequence to protect the typist from speeds that might be dangerous. At one time it was believed that speed was dangerous, but now speed is the elixir.

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The horror in Buffalo is not an excuse to censor

If classic horror resides in the banality of evil, modern horror resides in the banality of predictability: yet another deranged man, driven by hate, kills, and the left seizes the opportunity to try and restrict speech, claiming not metal music, not violent porn, not Alex Jones, but social media spurred the shooter from basement to killing ground. This risks the loss of speech rights out of fear. As the bodies lay on the ground in Buffalo, New York governor Kathy Hochul blamed social media and called for speech restrictions in order to prevent another tragedy. Hochul claimed free speech had gone too far when it allowed someone to shout fire in a crowded theater for the shooter to hear.

Having fun again on Derby Day

The woes of the world are a’plenty. People are anxious, stressed-out, and burned-out. It seems that no matter what side of the political aisle you gravitate toward, there’s a new battle to be fought at the dawn of each day. Even innocent settings — school board meetings, comedy shows, the Magic Kingdom itself — are not immune from partisan vitriol. Luckily for us, though, this is Derby Day, which means it’s the perfect time to do something about the very real but underreported disorder that’s been plaguing our society for a while now: we’ve forgotten how to have fun. It’s a contagious disease that affects brain function and mood, and if left untreated, could result in everyone becoming a smug, humorless elitist (a prognosis worse than Covid).

More silent films, less Twitter

News that billionaire Elon Musk is buying Twitter has shaken the world to the point that left-wingers are threatening to deprive us of their every thought by quitting the platform. My guess is this blustering will take those celebrities about as far away as they went when they pledged to leave the country if Trump was elected president. And though Twitter is likely far from rid of the Jameela Jamils and Chelsea Handlers of the world, even a brief reprieve from the balderdash could do us wonders. Last weekend, I had the privilege of experiencing a one-of-a-kind event at my local theater. “Rick Benjamin’s Paragon Ragtime Orchestra” came to town and performed the original musical score to Buster Keaton’s Steamboat Bill, Jr., a 1928 silent film.

The left’s great Twitter evacuation

The smell of Musk is in the air, and it’s causing Twitter’s left-wing users to clear the room — or so they say. Their threats to vacate cyberspace started a few weeks ago as free speech absolutist Elon Musk, in short order, became the largest shareholder of the social media firm, was offered a seat on its board, declined that seat, and made an offer to buy the firm outright. They rose to a fever pitch yesterday, as Musk’s $44 billion offer to take the company private was accepted. Twitter’s liberal users buckled under the fear of unmoderated political discussion and even, perhaps, the return of the famously suspended Donald Trump.