Snow White

Snow White and the seven circles of Hell

Mirror, mirror, on the wall, who is the most annoying of them all? The answer, it seems, is Rachel Zegler, the new Snow White, who has managed to turn herself into an international hate figure because she can’t keep her progressive political views to herself. The upshot is that Disney’s $350 million remake of one of its most famous films is flopping at the box office. It generated $45 million in ticket sales in its opening weekend. That sounds a lot, yet it’s a lot less than other recent Disney adaptations brought in, even including other woke disasters such as 2023’s Peter Pan & Wendy. Reviews of the new Snow White have been overwhelmingly negative, too.

In praise of Gal Gadot

As Israelis around the world face cultural boycotts, it was uplifting to see Gal Gadot, an eighth-generation Israeli on one side and the granddaughter of an Auschwitz survivor on the other, honored with a star on the Hollywood Walk of Fame on Tuesday. “I think it’s going to take me time before I even realize that it’s real,” she told Variety. What won’t take time to realize – because by now we know the drill all too well – is that her ceremony was disrupted by pro-Palestinian activists wielding signs ranging from the pathetic to the downright chilling. “Heroes Fight Like Palestinians,” “Viva Viva Palestina,” “Up up with liberation, down down with occupation” and “Not another nickel, not another dime, no more money for Israel’s crime.

This month in culture: March 2025

With Love, Meghan Netflix, March 4 If there were an award for the year’s least eagerly awaited show, Netflix’s With Love, Meghan would have to be in the running, if not quite the clear front-runner at this early stage of the year. Even the synopsis — “Meghan Markle invites friends and famous guests to a beautiful California estate, where she shares cooking, gardening and hosting tips” — summons up gasps of horror. The footage that has arrived via trailer indicates that this will be as vacuous as an Instagram reel brought to full, unlovely life, with its uniquely dreadful hostess conveying nothing so much as an onscreen vacuum where any kind of charm, grace or likability should be.

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