Slate

Inside the progressive war on the Supreme Court

In the basement of a Washington, DC restaurant, 200 ticket-purchasing fans have gathered to witness the live recording of a multifaceted conversation about the villainy and corruption of the Supreme Court, and one justice in particular. It only seems appropriate to order the shrimp and grits: it costs $19.99 and comes with a white-wine tomato sauce. This may seem rather hifalutin, but it also comes in a glass mason jar that references tired hipster kitsch — perfectly suitable for a live podcast hosted by Slate.

Supreme Court

Journalism’s class problem has gotten worse

It’s very unlikely that I’d be a reasonably successful journalist today if I hadn’t come from an upper-middle-class family. Fresh out of college, I got a series of non- or low-paying internships. It wasn’t until spring of the following year that I found a staff position with benefits (and a salary of $33,000, which at the time seemed like plenty to live on). Because my parents provided financial support and because I had no debt, I was able to gain the experience and connections that helped launch my career. Somewhere, surely, there is a 37-year-old who is very similar to me and who wanted to be a journalist, but who is now doing something else because it just wasn’t feasible, financially.

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Gays triggered after mass murdering clown outed as homophobe

If you haven’t heard, there’s a movie out about a demonic force in clown make-up that targets children. No, it’s not drag queen storytime, but It Chapter Two, based on the Stephen King book. And unfortunately, during the 27-year gaps between his mass murders of children, Pennywise the Dancing Clown never logged onto Vox to brush up on the social justice grievances du jour. The film is under heavy attack by the LGBTQQAAI2S++ community with accusations of homophobia. True to the original 1986 book, the film opens with a gay couple being attacked by a gang of men when Pennywise shows up to literally eat one of the gays alive. Minus the clown, the scene was inspired by a real anti-gay murder in Bangor, Maine in 1984.

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